StampaGeorge Condo
George Condo è nato a Concord, New Hampshire, USA nel 1957. Vive e lavora a New York.
Esposizioni Personali
2012
George Condo: Mental States, Schirn Kunsthalle, Francoforte, D
2011
George Condo: Mental States, Hayward Gallery, Londra, GB
George Condo: Mental States, Museum Boijmans Van Beuningen, Rotterdam, NL
George Condo, Museum Boijmans Van Beuningen, Rotterdam, NL
George Condo: Mental States, New Museum of Contemporary Art, New York, USA
2010
George Condo New Paintings, Skarstedt Gallery, New York, USA
Family Portraits, Sprüth Magers, Berlin, D
2009
Everything You Always Wanted to Know About Art (But Were Afraid to Ask), Galleria Massimo De Carlo, Milano (MI), I
George Condo, Xavier Hufkens, Bruxelles, B
La Civilisation Perdue, Musée Maillol, Parigi, F
2008
George Condo: Drawings, Sprüth Magers, Berlin, D
George Condo, Gary Tatintsian Gallery, Inc., Mosca, RUS
Christ: The Subjective Nature of Objective Representation, Luhring Augustine, New York, USA
2007
George Condo, Simon Lee, Londra, GB
George Condo, Galerie Andrea Caratsch, Zurigo, CH
George Condo: Paintings from the Last Ten Years, Nicholas Robinson Gallery, New York, USA
2006
George Condo, Wrong Gallery, Tate Modern, Londra, GB
Existential Portraits, Xavier Hufkens, Bruxelles, B
Existential Portraits, Luhring Augustine, New York, USA
2005
George Condo: Sculptures, Skarstedt Fine Art, New York, USA
George Condo, Monica Spruth Philomene Magers, Monaco, D
Disassembled Objects, Power House Memphis, Memphis, TN, USA
One Hundred Women. Retrospective, a cura di Thomas Kellein, Museum of Modern Art, Salisburgo, A. Travelled to Bielefeld, D
2004
George Condo. Paintings From the Eighties, Biggs Robinson, New York, USA
Religious Paintings, a cura di Simon Lee, Spruth Magers Lee Gallery, Londra, GB
George Condo, Eleni Koroneou Gallery, Atene, GR
George Condo. Memories of Manet and Velazquez, Galerie Jerome de Noirmont, Parigi, F
George Condo, Monika Spruth Philomene Magers, Colonia, D
2003
George Condo: Sculpture. Expanded Portraits, Extended Forms and Jazz Sculptures, Caratsch de Pury & Luxembourg, Zurigo. Travelled to Galerie Bruno Bischofberger, CH
George Condo, The Carpenter Center for the Visual Arts, Cambridge, MA, USA
2002
George Condo, Luhring Augustine, New York, USA
George Condo, Schlosspark Wendlinghausen, Landscape Garden Ost Westfalenlippe
George Condo, Westfalenlippe, Westfalen, D
2001
Physiological Abstraction, Galerie Jérôme de Noirmont, Parigi, F
George Condo, Monika Spruth Philomene Magers, Monaco, D
2000
Portraits, 11 Duke Street, Londra, GB
Mental States, Patrick Painter, Inc., Santa Monica, CA, USA
1999
George Condo: Jazz Paintings, PaceWildenstein, New York, USA
Portraits Lost In Space, Deitch Projects, New York, USA
George Condo. Silkscreen Paintings, PaceWildenstein, Los Angeles, CA, USA
George Condo, Texas Gallery, Houston, TX, USA
New Paintings, Galerie Monika Spruth, Colonia, D
George Condo. New Paintings, Galerie Bruno Bischofberger, Zurigo, CH
1998
George Condo. Televised Silkscreens, Sandra Gering Gallery, New York, USA
1997
William Burroughs George Condo Collaborations 1988-1996, Pat Hearn Gallery, New York, USA
Collage Paintings, PaceWildenstein, 142 Greene Street, New York, USA
Pages de Garde/End Papers, PaceWildenstein, Los Angeles, CA, USA
Pages de Garde/End Papers, PaceWildenstein, New York, USA
George Condo, Monika Spruth Galerie, Colonia, D
The Horse and the Cardinal: George Condo and William Burroughs Collaborative Works 1988-1996, Pat Hearn Gallery, New York, USA
Collage Abstractions, PaceWildenstein, Los Angeles, CA, USA
1996
Drawings 1976-1996, PaceWildenstein, Los Angeles, CA, USA
IT Park Gallery, Taipei, Taiwan
1995
George Condo, Palais des Congrès de Paris, Parigi, F
Zeichnungen, Galerie Bruno Bischofberger, Zurigo, CH
George Condo, Galerie Daniel Templon, Parigi, F
Paintings and Drawings, PaceWildenstein, New York, USA
1994
George Condo, McKinney Avenue Contemporary, Dallas, TX, USA, Traveled to Contemporary Arts Museum, , Houston, TX, USA
Recent Paintings, PaceWildenstein, 142 Greene Street, New York, USA
1993
George Condo, Galeria Fernando Latorre, Saragozza, E
Sculpturen, Galerie Bruno Bischofberger, Zurigo, CH
1992
George Condo, Galeria Salvador Riera, Barcellona, E
George Condo, Monika Spruth Galerie, Colonia, D
Obra 1990-1992, Galería Soledad Lorenzo, Madrid, E
George Condo, Stuart Regen Gallery, Los Angeles, CA, USA
Neue Bilder, Galerie Pfefferle, Munich, D
Gravats, Galeria Joan Prats, Barcellona, E
1991
Recent Paintings, The Pace Gallery, New York, USA
1990
George Condo, Akira Ikeda Gallery, Tokyo, JP
Peintures récentes 1989-90, Galerie Daniel Templon, Parigi, F
Drawings, Galerie Kaj Forsblom, Helsinki, FIN
Paintings, Drawings, Prints, Michael Maloney Contemporary Art, Inc., Santa Monica, CA, USA
George Condo, Galerie de Poche, Parigi, F
George Condo, Monika Spru.th Galerie, Colonia, D
1989
George Condo, Waddington Galleries, Londra, GB
1988
Neue Arbeiten, Monika Spruth Galerie, Colonia, D
Paintings and Drawings, The Pace Gallery, New York, USA
George Condo, Galeria Leyendecker, Santa Cruz de Tenerife, E
Works on Paper, Vrej Baghoomian Inc., New York, USA
1987
George Condo, Monika Spruth Galerie, Colonia, D
Neue Bilder, Galerie Bruno Bischofberger, Zurigo, CH
George Condo, Monika Spruth Galerie, Colonia, D
Gemälde/Paintings 1984-1987, Kunstverein, Monaco, D
Paintings 1983-1987, Akira Ikeda Gallery, Nagoya, JP
1985
Schilderijen en Tekeningen, Galerie ‘t Venster, Rotterdam, NL
Neue Arbeiten, Monika Spruth Galerie, Colonia, D
Major new works, Galerie Bruno Bischofberger, Zurigo, CH
Paintings, Akira Ikeda Gallery, Tokyo, JP
Recent Paintings, Barbara Gladstone Gallery, New York, USA
George Condo, Larry Gagosian Gallery, Los Angeles, CA, USA
1984
George Condo, Barbara Gladstone Gallery, New York, USA
George Condo, Pat Hearn Gallery, New York, USA
George Condo, Galería Leyendecker, Santa Cruz de Tenerife, E
Bilder - Zeichnungen, Monika Spruth Galerie, Colonia, D
1983
Paintings and Works on Paper, Ulrike Kantor Gallery, Los Angeles, CA, USA
Esposizioni Collettive
2011
Portraits: Cabinet de Curiosités, Galerie Betrand & Gruner, Geneva, CH
2010
How Soon Now, Rubell Family Collection, Miami, USA
2010 Whitney Biennial, Whitney Museum of American Art, New York, USA
2009
Portraits Faces & People, Katz Contemporary, Zurich, CH
Images et (re)présentations années 80 second volet, Magasin, Centre National d’Art Contemporain, Grenoble, F
2008
Against All Odds: Keith Haring in the Rubell Family Collection, Palm Springs Art Museum, Palm Springs, CA, USA
God & Goods: Spirituality and Mass Confusion, Villa Manin Centre for Contemporary Art, Passariano – Codroipo, I
It’s Not Over Yet, Invisible-Exports, New York, NY, USA
How to Cook a Wolf: Part One, Dinter Fine Art, New York, NY, USA
The Luxury of Love, Vanina Holasek, New York, NY, USA
Summer Exhibition, Skarstedt Gallery, New York, NY, USA
Wall Rockets, a cura di curated by Lisa Dennison, The Flag Art Foundation, New York, NY, USA
2007
Fractured Figure - Works from the Dakis Joannou Collection, a cura di Jeffrey Deitch, Deste Foundation Centre For Contemporary Art, Atene, GR. Catalogo
Create your own Museum: Highlights of a Private Collection, Gary Tatintsian Gallery, Inc., Mosca, RUS
Negotiating Reality: Recent Works from the Logan Collection, University of Denver Victoria H. Myhren Gallery, Denver, CO, USA
The Beholder’s Eye, The Salmagundi Club of New York, New York, NY, USA
Meet the Artists, Deitch Projects, New York, NY, USA
Small is Beautiful, Seomi & Tuus Gallery, Seoul, Korea
Still Life and Kicking: a project with Vogue, a cura di curated by Dodie Kazanjian, Paula Cooper Gallery, New York, NY, USA
Köln Skulptur 4, Skulpturen Park , Köln, GRR
2006
Group Exhibition, Galerie Rodolphe Janssen, Brussels, B
Vous êtes ici (You are here), FRAC Fonds Régional d’Art Contemporain d’Auvergne, France, F
Color Aside, Luhring Augustine, New York, NY, USA
Infinite Painting. Contemporary Painting and Global Realism, a cura di curated by Francesco Bonami e Sarah Cosulich Canarutto, Villa Manin Centro d'Arte Contemporanea, Codroipo, I
2005
Happy Birthday!, Galerie Jerome de Noirmont, Paris, F
Self Portraits, Skarstedt Fine Art, New York, NY, USA
East Village USA, New Museum of Contemporary Art, New York, NY, USA
Post Modern Portraiture, The Logan Collection Vail, CO, USA
48th Corcoran Biennial: Closer to Home, a cura di Curator Stacey Schmidt, Corcoran Gallery of Art, Washington DC, USA
2004
Perspectives @ 25. A Quarter Century of New Art in Houston, Contemporary Art Museum, Houston, TX, USA
... As Time Goes By, Leo Koenig Inc. & Gordian Weber Kunsthandel, Leo Koenig Inc., New York, USA
2003
Splat Boom Pow! The Influence of Cartoons in Contemporary Art, Contemporary Arts Museum, Houston, TX, USA. Travelled to Institute of Contemporary Art, Boston, MA, USA, Wexner Center for the Arts, Columbus, OH, USA
Not Afraid, Rubell Familly Collection, Miami, FL, USA
Malerei 7, Monika Sprüth Philomene Magers, Cologne, D
2002
Paintings 1993-2001, Baldwin Gallery, Aspen, CO, USA
New York Expression, Bergen Art Museum, Bergen, N
Ahead of the 21st Century. The Pisces Collection, , Donaueschingen, D
2001
Monika Sprüth Philomene Magers, Monaco, D
Monika Sprüth Philomene Magers, Munich, D
1999
Bad Bad – That Is a Good Excuse, Staatliche Kunsthalle, Baden-Baden, D
1997
Premier MARCO 1996, Museo de Arte Contemporáneo de Monterrey, Monterrey, Mexico
1995
Collection in Context: Picassoid, Whitney Museum of American Art, New York, NY, USA
1994
Modern Drawings II, The Museum of Modern Art, New York, NY, USA
U.S. Painting in the 1980’s, Irish Museum of Modern Art, Dublin, I
1993
Salon de Los 16, Palacio de Velasquez, Madrid, E
1992
Allegories of Modernism: Contemporary Drawing, a cura di Bernice Rose, The Museum of Modern Art, New York, NY, USA
Le Portrait dans I’Art Contemporain, Musée d’Art Contemporain, Nice, F
1991
Contemporary Art from the Collection of Jason Rubell, Duke University Museum of Art, Durham, NC, USA
Myth and Magic in the Americas: The Eigthies, Museo de Arte Contemporanoe de Monterrey, Monterrey, Mexico
The 1980’s: Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY, USA
1990
The Last Decade: Amercian Artists of the 80’s, Tony Shafrazi Gallery, New York, USA
Academy-Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, NY, USA
Le Visage dans l’art contemporain, Musee Des Jacobins, Toulouse; travelled to Musée du Luxembourg, Paris, F
Pharmakon’90, Nippon Convention Center, Makuhari Messe, International Exhibition Hall, Tokyo, RUS
Drawings of the Eighties: Part II, The Museum of Modern Art, New York, NY, USA
1989
I triennal de Dibuix - Joan Miro, La Fundacio Joan Miro, Barcellona, E
1979-1989 American, Italian, Mexican Art from the Collection of Francesco Pellizzi, Hofstra Museum, Hempstead, New York, NY, USA
Sculpture by Painters, The Pace Gallery, New York, NY, USA
Exposition Inaugurale, Fondation Daniel Templon, Musee Temporaire, Frejus, F
Summer Installation, Whitney Museum of American Art, New York, NY, USA
Aldo Crommelynck Master Prints with American Artists, Whitney Museum of American Art at the Equitable Center, New York, NY, USA
Painting Beyond the Death Of Painting, Koznetzky Most Exhibition Hall, Moscow, RUS
1988
Recent Drawings, Whitney Museum of American Art, New York, NY, USA
1987
Biennial Exhibition, Whitney Museum of American Art, New York, NY, USA
1986
Drawings, Knight Gallery, Charlotte, NC, USA
1984
East Village Painters, Artists Space, New York, NY, USA
1983
Terminal Show, Artists Library, Brooklyn, NY, USA
StampaGeorge Condo
Bibliografia
2011
Tomkins, Calvin. ''Portraits of Imaginary People'', The New Yorker, n. 4, 17 gennaio 2011, pp.56-65.
Casavecchia, Barbara. ''La vita è un horror esilarante'', D la Repubblica, 30 aprile 2011.
Spampinato, Francesco . ''George Condo: Mental states'', Kaleidoscope, n. 10, primavera 2011, p.79.
2010
Kuspit, Donald. ''George Condo'', Artforum, maggio 2010, pp. 252-253.
Coburn, Tyler. ''George Condo: Family Portraits'', Art Review, n. 41, maggio 2010, p. 104.
How Soon Now, catalogo della mostra, Rubell Family Collection, Miami, 2010.
2009
George Condo, catalogo della mostra,. Bruxelles, Xavier Hufkens, 2009.
The Lost Civilization, catalogo della mostra,. Parigi, Fondation Dina Vierny-Musée Maillol, 2009.
Gioni, Massimiliano. ''George Condo'', Flash Art, n. 278, ottobre-novembre 2009, pp. 56-59.
Casadio, Mariuccia. ''Retrieve'', Vogue Italia, n. 711, novembre 2009.
2008
Holzwarth, Hans Werner. Art Now Vol. 3, 2008, pp. 96-99.
George Condo: Artificial Realism, catalogo della mostra,. Mosca, Gary Tatintsian Gallery Inc., 2008.
Influence. Mary-Kate Olsen and Ashley Olson. New York, Razorbill, 2008, pp. 50-59, p. 260.
Out of Shape: Stylistic Distortions of the Human Form in Art From the Logan Collection. Poughkeepsie: The Frances Lehman Loeb Art Center, Vassar College, 2008, p. 19, p.54.
''George Condo'', Art World, Giugno/Luglio 2008, PP. 62-67.
''Art in Review: George Condo'', The New York Times, 21 Marzo 2008, p. E29.
Bryant, Eric. ''George Condo'', ARTnews, Maggio 2008, p. 147.
''Condo Condo'', Art + Auction, Aprile 2008, p. 23-.
''George Condo’s Christ the Subjective Nature of Objective Representation'', , 6 Marzo 2008.
''George Condo'', The New Yorker, 24 Marzo 2008.
Mack, Joshua. ''George Condo: Christ: The Subjective Nature of Objective Representation'', Time Out New York, n. 651, 20-27 Marzo 2008, p. 103.
McCormick, Carlo. ''George Condo, Memory is the Medium'', Whitewall, n. 10, Estate 2008, p. 14, pp. 128-139.
''Seeing Warhol: 14 Artist Reflect His Vision, and Dozens of Friends Remember Him'', Interview, Giugno/Luglio 2008, p. 111.
2007
Impulse: Works on Paper from the Logan Collection. Vail: The Logan Collection Vail, 2007, pp. 8-9, pp. 22, 36, 38.
Caruso, Laura. Radar: Selections from the Collection of Vicki and Kent Logan. Denver, Denver Art Museum, 2007, pp. 76-79.
Create your own Museum: Highlights from a Private Collection, catalogo della mostra,. Mosca, Gary Tatintsian Gallery, 2007, pp. 38-43.
Negotiating Reality: Recent Works from the Logan Collection. Denver, University of Denver, 2007, pp. 24-25, p. 68.
Bevan, Roger. ''Contemporary: Sales treble in two years'', The Art Newspaper, Marzo 2007, p. 51.
Buck, Louisa. ''Protest is so this year, darling'', Art Newspaper, n. 177, Febbraio 2007, p. 35.
Buck, Louisa. ''I like art that take risks'', The Art Newspaper, n. 177, 2007, p. 36.
Cattelan, Maurizio. ''Interview with George Condo: Painting is the Big Casino in the Sky'', Whitewall, n. 17, Autunno 2007, p. 42.
Fels, Sophie. ''Meet the Artists'', Time Out New York, n. 603, 19-25 Aprile 2007, p. 72.
, G.A.. ''British peer buys Condo’s controversial Queen'', The Art Newspaper, n. 177, Febbraio 2007, p. 45.
Higgie, Jennifer. ''Time’s Fool'', Frieze, Maggio 2007, p. copertina, pp. 110-117.
Lind, Alexander. ''New Luxury Condos'', Art + Action, Maggio 2007, p. 203.
Gleadell, Colin. ''Breaking Records'', Art Monthly, n. 305, Aprile 2007, p. 35.
Gleadell, Colin. ''Roller Coaster Ride'', Art Monthly, n. 303, Febbraio 2007, p. 39.
Herbert, Martin. ''George Condo: Simon Lee, London'', Art Review, n. 10, Aprile 2007, pp. 136-137.
Plagens, Peter. ''Fake Tiepolos and the Cabbage Patch Queen'', Art News, n. 7, Volume 106, Estate 2007, pp. 182-185.
Sanders, Mark. ''Team Art'', AnOtherMan, n. 5, Autunno/Inverno 2007, pp. 94-95.
Schwender, Martha. ''A Fair’s Strategy: Solo Artists, Themes and Specters of Blockbusters'', The New York Times, 23 Febbraio 2007, p. E40.
Ward, Ossian. ''Curious George'', Time Out London, n. 1903, 2007, p. 40.
Wintour, Anna. ''Power Flowers'', Vogue, Giugno 2007, p. 210.
Wintour, Anna. ''Masterpiece Theater'', Vogue, Dicembre 2007, pp. 362-379.
2006
Over the Limit, catalogo della mostra,. Atene, Athens: Portalakis Collection, 2006.
40 ans: Galerie Daniel Templon. Paris: Communicart, 2006, pp. 359-360. p. 476.
Infinite Painting: Contemporary Painting and Global Realism. Codroipo, Villa Manin Centro d’Arte Contemporanea, 2006, pp. 54-55.
Richer, Francesca e Matthew Rosenzweig. No.1: First Works by 362 Artists. New York, 2006.
Vous etes ici (You are here), catalogo della mostra,Auvergne FRAC (Fonds Régional d’Art Contemporain d’Auvergne), 2006, pp. 86-89.
Art, n. 12, Dicembre 2006, p. 123.
Brooks, Richard. ''Nightmare of the Cabbage Patch Queen'', The Sunday Times, 22 Ottobre 2006, p. 3.
Brooks, Richard. ''George Condo & Nigel Cooke at Blum & Poe'', ARTnews, n. 5, Volume 105, Maggio 2006, pp. 176-177.
Cohen, David. ''Latter-Day Surrealists on the Comeback Trail'', The New York Sun, Arts & Letters, 2006, p. 15.
''Conference Highlights'', The Record, Columbia University in the City of New York, n. 12, Volume 31, 12 Aprile 2006, p. 7.
Hope, Bradley. ''It’s My First Opera. I’m Going To Stay For the Whole Thing'', The New York Sun, 26 Settembre 2006, pp. 1, 4, 14, 17.
Kalm, James. ''George Condo'', The Brooklyn Rail, Artseen, Giugno 2006.
Kazanjian, Dodie. ''Paging Picasso: Pablo on my mind'', Vogue, Settembre 2006, pp. 673-674.
Gordon, A. L. . ''Collector’s Night In'', The New York Sun, 11 Aprile 2006, p. 13, p. 18.
Mueller, Stephen. ''Funny, Elegant And Frightening'', Gay City News, 1-7 Giugno 2006, p. 22.
Tomkins, Calvin. ''Studio Visit. The Queen, Continued'', The New Yorker, 23 Ottobre 2006, p. 35.
Vogel, Carol. ''Where Bel Canto Meets Paintbrush. At New Met Opera Gallery, Artists Create Images of Heroines'', The Arts, The New York Times, 15 Agosto 2006, p. E1.
Wright, Karen. ''Kerouac & Me'', Modernpainters, Aprile 2006, pp. 72-79.
George Condo: Existential Portraits. Sculptures, Drawings, Paintings 2005/2006, catalogo della mostra, Luhring Augustine, New York. Berlin, Holzwarth Publications, 2006.
2005
Binstock, Jonathan P. e Stacey Schmidt. Closer To Home. The 4th Corcoran Biennal. Corcoran Gallery of Art, 2005, pp. 36-39, p. 86.
Kellein, Thomas. George Condo. One Hundred Woman. Bielefeld: Kunsthalle Bielefel, Ostfildern-Ruit: Hatje Cantz Publishers, 2005.
Post Modern Portraiture from the Logan Collection, catalogo della mostra,Vail: The Logan Collection Vail, 2005, pp. 42-43, 92-93, 150-151.
Atwood, Roger. ''The 48th Corcoran Biennal'', Artnews, n. Volume 104, 2005.
Bellini, Andrea. ''The East Village Revisited'', Flash Art, Marzo-Aprile 2005, pp. 60-63.
Koeppel, Fredric. ''Brush in a Rush'', The Commercial Appeal, Art. Books, Culture section, 20 Marzo 2005, p. A18.
Modern Painters, Ottobre 2005, pp. 100-103.
O’Sullivan, Michael. ''The Corcoran in Earnest'', The Washington Post Weekend, 25 Marzo 2005, p. 47.
Smith, Roberta. ''George Condo'', The New York Times, 27 Maggio 2005, p. E34.
2004
A New Modernism for a New Millenium: Abstraction and Surrealism Are Reinvented in the Internet Age. The Logan Collection Vail, 2004.
Cameron, Dan, Liza Kirwin e Alan W. Moore. . East Village, NY, New Museum of Contemporary Art, 2004, p. 26.
Coetzee, Mark. Not Afraid. Rubell Family Collection. Phaidon Press, 2004, pp. 50-51.
Fleissig, Peter. George Condo. Memories of Manet and Velazquez. Parigi, Galerie Jérome de Noirmont, 2004.
Perspective 25. A Quarter Century of New Art in Houston. Contemporary Arts Museum Houston, 2004.
Hrbacek, Mary. ''George Condo, Biggs Robinson'', The New York Art World, Novembre 2004, p. 12.
Johnson, . ''George Condo, Paintings From the Eighties'', The New York Times, 5 Novembre 2004.
The Oxford American, n. 52, Inverno 2004, p. 93.
Sanders, Mark. ''George Condo. The Condo Effect'', Another Magazine, Autunno/Inverno 2004, pp. 410-423.
Smith, Roberta. ''Looking Back At the Flurry On the Far Side'', The New York Times, Weekend Fine Arts Leisure section, 2004, pp. E35-E36.
Skupin, Bernd. ''Mein Bild Von Ihr'', German Vogue, Ottobre 2004, pp. 514-527.
2003
Kellein, Thomas. George Condo: Sculpture. Zürich: Caratsch de Pury & Luxembourg, Galerie Bruno Bischofberger, 2003.
Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art. Contemporary Arts Museum Houston, 2003, p. 93.
Colpitt, Francis. ''Learning From Comics'', Art in America, Ottobre 2003, pp. 64-67.
Wilder, Matthew. ''George Condo and Nigel Cooke'', ARTFORUM.COM, Ottobre 2003.
Hopkins, Randi. ''Artists & Antipodes'', The Boston Phoenix, 3 Ottobre 2003, p. 3.
2002
Ahead of the 21st Century: The Pisces Collection, catalogo della mostra,Hatje Cantz Publishers, 2002, pp. 43-53.
Rugoff, Ralph. The Imaginary Portraits of George Condo. New York, Power House Books, 2002.
Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection. Los Angeles, The Los Angeles County of Art, 2002.
Cotter, Holland. The New York Time, 29 Novembre 2002, p. E36.
Kino, Carola. ''Back on the Radar'', Art & Auction, Dicembre 2002, p. 141.
''Review of reviews: Art, Where to Buy... A Selected Exhibition In a Private Gallery'', The Week, 20 Dicembre 2002, p. 27.
2001
''A Few Galleries Slated for Art Basel/Miami Beach'', Fine Magazine, n. 1, 2001, pp. 116-117.
Condo Televised Silkscreens. Newton, Abaton Book Company, 2001.
George Condo. Physiognomical Abstraction. Parigi, Galerie Jérome de Noirmont, 2001.
Mythic Proportions. Painting in the 1980’s. North Miami, Museum of Contemporary Art, 2001.
Glaser, Sheila F.. ''The Arts'', Madison, 2001, pp. 110-115.
''George Condo: The Art of the Deal. In the Renaissance, new money bought lasting beauty'', The New York Times Magazine, 19 Settembre 2001, pp. 84-85.
Johnson, Ken. ''George Condo/Pace Wildenstein'', The New York Times, 31 Dicembre 2001, p. B42.
Kotur, Alexandra. ''Art Up and Down'', Vogue, Marzo 2001, p. 161.
Nassau, Lawrence. ''Televised Silkscreens'', NY Arts, Gennaio 2001, p. 70.
2000
Dickhoff, Wilfried. After Nihilism: Essays on Contemporary Art. Cambridge, Cambridge University Press, 2000.
Drawings 2000 at Barbara Gladstone Gallery. New York, Barbara Gladstone Gallery, 2000.
Bensinger, Ken. ''Artifact... Painter George Condo'', The Wall Street Journal, 10 Marzo 2000, p. W16.
Campbell, Bob. ''Portait of an Artist Yields Dreary Canvas'', Newhouse Newspapers, 4 Marzo 2000.
Dannatt, Adrian. ''NY artist Q & A: George Condo'', The Art Newspaper (London), Gennaio 2000, pp. 73-74.
Fine, Marshall. ''Condo Painting A Portrait In Incomprehensibility'', Cannett Syndacate (The Journal News), 4 Marzo 2000.
Frimbois, Aurore. ''Imaginer, Coller!'', Art Actuel (Paris), Gennaio-Febbraio 2000.
''Studios By the Sea'', Vanity Fair, Agosto 2000, pp. 138-154.
1999
Anton, Saul. ''All That Jazz'', Time Out New York, 16-30 Dicembre 1999, p. 120.
George Condo: Portraits Lost In Space. New York, Pace Wildenstein and Deitch Projects, 1999.
''Arts & Leisure Guide: George Condo'', The New York Times, 28 Novembre 1999, p. 47.
Johnston, Andrew. ''Condo Painting'', Time Out New York, 9-16 Marzo 1999, p. 85.
Kelly, Brett. ''Running Time: The Unbearable Lightness of Painting'', New York Magazine, 13 Marzo 1999, p. 103.
Kino, Carola. ''George Condo at Pace Wildenstein and Deitch Projects'', Art In America, Aprile 1999, pp. 154-155.
Knight, Christopher. ''Paintings Take a Serious Look at Cartoonish Human Nature'', , Dicembre 1999.
Scott, A. O. ''Film Review: Letting an Artist Explain, Whether It Helps or Not'', The New York Times, 10 Marzo 1999.
Seymour, Gene. ''Realism, as the Painter Sees It'', Newsday, 10 Marzo 1999, p. B7, p. B11.
Winter, Jessica. ''Flaming Creatures: Kitsch or Kill'', Village Voice, 14 Marzo 1999, p. 130.
1998
Fitzgerald, Michael. George Condo: Collage Paintings. Pace Wildenstein, 1998.
Collings, Matthew. It Hurts: New York Art from Warhol to Now. 21 Publishing, 1998, pp. 139-143.
Ruiz Picasso, Bernard. Pages de Garde/End Papers. Pace Wildenstein, poems by Ruiz Picasso, illustrations by George Condo, 1998.
Dietsch, Scott. ''Familiar Faces from TV at Sandra Gerin Gallery'', The Villager, 9 Dicembre 1998.
Griffin, Tim. ''George Condo and William Burroughs: Collaborative Works, 1988-1996'', Time Out New York, 8-15 Gennaio 1998, p. 51.
Levin, Kim. ''George Condo'', The Village Voice, exhibition review, 11-17 Febbraio 1998, p. 74.
MacAdam, Barbara. ''William Burroughs and George Condo'', ARTnews, Aprile 1998, p. 180.
''Mondo Condo'', TimeOut, 29 Gennaio-5 febbraio 1998, p. 48.
Pedersen, Victoria. ''Foreign Body’s'', Gallery Go’Round, Paper Magazine, exhibition review at Pat Hearn Gallery, 1998.
Pedersen, Victoria. ''Gallery Go’Round'', Paper Magazine, exhibition review, Febbraio 1998, p. 104.
Pinchbeck, Daniel. ''Our Choice of New York Contemporary Galleries'', The Art Newspaper (London), Dicembre 1998.
Schjedahl, Peter. ''Dumb and Smarter'', The Village Voice, exhibition review, 24 Febbraio 1998, p. 143.
''Talent Condo'', New York, exhibition review, 16 Febbraio 1998, p. 70.
Tomkins, Calvin. ''High Styles'', The New Yorker, 9 Febbraio 1998, p. 64.
Smith, Roberta. ''George Condo'', The New York Times, 13 Febbraio 1998, p. E39.
Sparrow, . ''Condo’s Abstract Cartoons'', New Reinassance, n. 2, Volume 8, Inverno 1998, p. 31.
''Why Monaco’s Caroline Likes NYC Condo'', Daily News, 20 Maggio 1998, p. 39.
1997
Davvetas, Demosthenes. Dialogues, France: Au Meme Titre. Parigi, Jouvre, 1997.
Ginsberg, Allen. Selected Poems, New York. Harper Collins (Cover portrait by George Condo), 1997.
Johnson, Ken. ''George Condo and William Burroughs: Collaborations 1988-1996'', The New York Times, 19 Dicembre 1997, p. E40.
Lemon, Brendan. ''By George, He’s Got It'', Interview, Dicembre 1997, p. 36.
Schaub, Martin. ''Allen Ginsberg’s Letzte Worte'', Tages, Anzeiger, 19 Settembre 1997.
Pederson, Victoria. ''Gallery Go ‘Round'', Paper Magazine, 19 Dicembre 1997, p. 132.
Steuer, Joseph. ''October Shows Off its Condo'', The Hollywood Reporter, 13 Maggio 1997, p. 8.
Chateau, Dominique. ''Kant Goes Condo: A Short Critique of Pure Aesthetics'', Artpress (Paris), Maggio 1997, pp. 42-45.
D’Annunzio, Grazia. ''George Condo'', L’Uomo Vogue (Italy), Luglio-Agosto 1997, pp. 396-403.
Karmel, Pepe. ''Art in Review'', The New York Times, 6 Ottobre 1997, p. C32.
1996
Le Thorei-Daviot, Pascale. Petit dictionnaire des artistes contemporains. Parigi, Bordas, 1996.
Myths and Magical Fantasies. Escondido, California Center for the Arts Museum, 1996.
1995
Kuspit, Donald. George Condo: Paintings and Drawings. New York, Pace Wildenstein, 1995.
Brown, Glenn. ''A Brush With Genius: 20, Glenn Brown on George Condo’s Clownmaker'', Guardian, 16 Novembre 1995, p. 9.
Cheung, XiangXiang. ''Galleries Test Taiwan Art Fair'', ARTnewsletter, 12 Dicembre 1995, pp. 4-5.
Codrington, Andrea. ''George Condo at Bischofberger'', Art & Auction, Marzo 1995, p. 64.
''Goings on About Town: Art, Galleries Uptown'', The New Yorker, 18 Settembre 1995, p. 27.
Goodwin, Betty. ''Gallery Party Leaves ‘Em out on the Streets'', Los Angeles Times, 2 Ottobre 1995.
Newhall, Edith. ''Preview: Art, Galleries'', New York Magazine, 11 Settembre 1995, p. 60.
Pedersen, Victoria. ''Gallery Go ‘Round: Senses and sensibilities'', Paper Magazine, exhibition review, Ottobre 1995, p. 131.
1994
Burroughs, William S.. George Condo: Recent Paintings. New York, The Pace Gallery, 1994.
Ashenburg, Katherine. ''Having Your Fill of New York’s Art'', The New York Times, 12 Giugno 1994, p. 14, p. 35.
Condo, George. ''Harvest from Young at Art: Miro at 100'', Artforum, Gennaio 1994, p. 81.
Cotter, Holland. ''George Condo at Bruno Bischofberger'', Art in America, Febbraio 1994, p. 111.
Jones, K. Marriott. ''George Condo/Pace Gallery'', Artforum, Novembre 1994, p. 85.
Levin, Kim. ''Voice Choices: Art'', The Village Voice, 7 Giugno 1994, p. 71.
Picasso, Sydney. ''Condo sur tous les tableaux'', Vogue, Ottobre 1994, pp. 56-57.
Saltz, Jerry. ''A Year in the Life: Tropic of Painting'', Art in America, Ottobre 1994, pp. 90-101.
1993
Drawing the Line Against AIDS. American Foundation for AIDS Research (AmFAR) International, 1993.
Wilson, Adolfo e Namia Mondolfi. Materia, Imagen y Concepto: Un Recorrido por el Arte Contemporaneo Internacional. Caracas, Galeria Namia Mondolfi, 1993.
Condo, George e William Burroughs. ''Interaction Between Artists and Writers'', Art Journal, Inverno 1993, p. 78.
Killer, Peter. ''Brüder im Geist'', Tages Anzeiger, Züritipp, Settembre 1993, p. 34.
Kurjakovic, Daniel. ''George Condo - Bruno Bischofberger'', Flash Art, Novembre/Dicembre 1993, p. 120.
Morera, Daniela. ''Personal Diary by George Condo December 10, 1957'', Vogue Italia, Agosto 1993, pp. 102-109, p. 197.
Ricard, Rene. ''Retro Activist'', Vogue, Maggio 1993, p. 140.
Smith, Roberta. ''Classics From the Whitney Permanent Collection'', The New York Times, 19 Novembre 1993.
Textor, Ingrid. ''George Condo'', Voir, Novembre/Dicembre/Gennaio 1993, p. 40.
Schwartzman, Allen. ''Can I Interest You In a Schnabel, Mr Oritz?'', The New York Times Magazine, 3 Ottobre 1993, pp. 31-50.
1992
Bonet, Juan Manuel. George Condo. Barcellona, Galeria Salvador Riera, 1992.
La Linea Quebrada y Extractos de “El Gran Jefe”, George Condo: Obra 1990-1992. Madrid, Galeria Soledad Lorenzo, 1992.
Dickhoff, Wilfried e Reiner Speck. Ars Pro Domo. Colonia, Gesellschaft fur Moderne Kunst am Museum Ludwig, 1992.
Le Portrait Dans L’Art Contemporain. Musée d’Art Moderne et d’Art Contemporain. Nizza, 1992.
Rose, Bernice. Allegories of Modernism: Contemporary Drawing. New York, The Museum of Modern Art, 1992.
Bonet, Juan Manuel. ''George Condo y el desasosiego'', ABC de las Artes (Madrid), 20 Marzo 1992.
Bonney, Anney. ''George Condo'', Bomb Magazine, Estate 1992, pp. 34-39.
Clements, Marcelle. ''SoHo on the Seine'', Esquire, Ottobre 1992.
Danvilla, Jose Ramun. ''Im genes e ideas confrontadas'', Guia del Ocio (Madrid), n. 849, Marzo 1992.
Danvilla, Jose Ramun. ''George Condo, la memoria compartida'', El Punto de las Artes (Madrid), 13-19 Marzo 1992.
Fernandez-Cid, Miguel. ''Un dialogo drastico'', Diario 16 (Guia de Madrid), n. 208, 3-9 Aprile 1992.
Kalina, Richard. ''George Condo at Pace'', Art in America, Febbraio 1992, p. 113.
Karcher, Eva. ''Amzsiertes Genie'', Pan, Marzo 1992, pp. 61-66.
Kimmelman, Michael. ''Just What Is a Drawing? Definitions, Definitions'', The New York Times, 21 Febbraio 1992, p. C29.
Larson, Kay. ''Drawing Conclusions'', , 2 Marzo 1992, pp. 60-61.
Concha, Luna. ''En el Punto de la Noticia'', El Punto de las Artes, 20-26 Marzo 1992.
Perl, Jed. ''Breakthrough, idyll, icon, allegory'', The New Criterion, Maggio 1992, pp. 48-53.
Schjeldahl, Peter. ''Drawing Blood'', The Village Voice, 3 Marzo 1992, p. 85.
Serraller, F. Calvo. ''Mas allade la apropriacion y el eclecticismo'', El Pais (Madrid), 16 Marzo 1992.
Tully, Judd. ''Where’s Baghoomian'', Art & Auction, Maggio 1992, pp. 22-24.
Zaya, Octavio. ''En mi pintura, la simultaneidad y el ritmo juegan un papel especial'', Diario 16 (Madrid), 14 Marzo 1992.
1991
Burroughs, William S. e George Condo. Ghost of a chance. New York, Whitney Museum of American Art, 1991.
Cervantes, Miguel, Charles Merewether e Francesco Pellizzi. Mito y Magia en América: Los Ochenta. Museo de Arte Contemporaneo de Monterrey, 1991.
Dickhoff, Wilfried. ''In Ictu Oculi: The Post-Nondeconstructive Paintings of George Condo'' in George Condo: Recent Paintings. New York, The Pace Gallery, 1991.
Condo, George. Art Random. Kyoto, Kyoto Shoin International, Co., Ltd, 1991.
Honnef, Klaus. Kunst der Gegenwart. Colonia, Taschen, 1991.
Riley, Charles A.. II Sélection. Pully/Lausanne, Musée d’Art Contemporain, 1991.
Weinberg, Adam D.. Aldo Crommelynck: Master Prints with American Artists. New York, Whitney Museum of American Art at Equitable Center, 1991.
Bouzerand, Jacques. ''Arts: Special New York'', Le Point, 13 Maggio 1991.
Cameron, Dan. ''Good-bye to All That?'', Art & Auction, Gennaio 1991.
''Goings On About Town: Galleries'', The New Yorker, 27 Maggio 1991, pp. 14-15.
Jones, Bill. ''American Artists of the ‘80s'', Tema Celeste, 1991, p. 84.
Kuspit, Donald. ''Tart Wit, Wise Humor'', Artforum, Gennaio 1991, pp. 93-101.
Leimbach, Dulcie. ''Currents: A Coloring Book Fit for an Artist'', The New York Times, 21 Novembre 1991.
Levin, Kim. ''Choices: Art'', The Village Voice, 21 Maggio 1991, p. 110.
Michard-Pellissier, Florence. ''Condo entre deux escales'', Vogue (French edition), Ottobre 1991, p. 71.
Pedersen, Victoria. ''Reviews: George Condo'', Flash Art, Ottobre 1991, p. 138.
Pergament, Annika. ''Student art collector presents his collection at DUMA'', Chronicle (Union College), 1 Marzo 1991.
Picasso, Sydney. ''Contemporaine'', , Aprile 1991.
Picasso, Sydney. ''Derriere la toile, la musique...'', Art, Aprile 1991, p. 238.
Rimanelli, David. Artforum, Settembre 1991.
1990
''Expos: Portrait Of An American Gallery'', Kiosque, Giugno 1990.
''Golings On About Town'', The New Yorker, 20 Agosto 1990.
Bataillon, Francoise. ''George Condo: Purger la peinture'', Beaux Arts, Maggio 1990.
Dagen, Philippe. ''Peinture de memoire'', Le Monde, 6-7 Maggio 1990, p. 11.
Godard, Agathe. ''Alain Senderens cuisine en Technicolor pour George Condo'', Paris-Match, 24 Maggio 1990.
Goy, Bernard. Journal of Contemporary Art, Maggio 1990.
Hahn, Otto. ''Les stimuli du simili'', Paris L’Express, 18-24 Maggio 1990, pp. 67-68.
Kolokithas, Dawn. ''Artists for the 90’s'', Paris Passion, Maggio 1990, p. 19-21.
Legros, Herve. ''La Peinture Recitee'', Panorama du Medecin, 22 Maggio 1990.
Lloyd, Jill. ''Power and the Cult of Fragments'', ArtInternational, Autunno 1990, pp. 72-74.
Moody, Tom. ''Putting Ideas on Display'', The Dallas Morning News, 25 Ottobre 1990.
Pradel, Jean-Louis. ''George Condo: Scattered Bum Heads'', L’évènement du Jeudi, 17-23 Maggio 1990, p. 138.
Schels, Evelyn. ''Der Impulsive George Condo'', Elle, Giugno 1990.
Raynor, Vivien. ''George Condo'', The New York Times, 11 Aprile 1990.
Spazio Uomo, n. 4, Ottobre/Dicembre 1990, p. 64, p. 85.
Zaya, . ''George Condo y Milan Kunc'', Diario, Giugno 1990, p. 4.
''Pharmakon ‘90'', , 1990.
1989
''1979-1989 American, Italian, Mexican Art From the collection of Francesco Pellizzi'' in, catalogo della mostra,. Hempstead, NY, Hofstra Museum, 1989.
George Condo. Londra, Waddington Galleries, 1989.
''Bilderstreit'', , 1989.
''George Condo'', , 1989.
1988
Geldzahler, Henry. ''On George Condo'', George Condo: Paintings and Drawings. The Pace, 1988.
Huff, T.J.. ''George Condo at the Carpenter Center for the Visual Arts'', www.arteditor.com, 24 Ottobre 1988.
''George Condo. Painter'', , 1988, P. 12.
Yablonsky, Linda. ''George Condo'', ART & AUCTION, Settembre 1988, pp. 22-26.
Enright, Robert. ''The Undiscovered Familiar: The Art of George Condo'', BORDERCROSSINGS, n. 86, Volume 22, 1988, pp. 18-34.
La Placa, Joe. ''Top Man. Simon Lee Has Got It All: A Stunning New Gallery, Powerful Partners and Artists To Die For. And He’s Only Just Getting Started'', ARTREVIEW, International Edition, 1988, pp. 70-71.
''January Picks'', NY ARTS International Edition, 1988, p. 57.
Lebowitz, Cathy. ''George Condo'', , n. Volume 21, 1988, pp. 106-109.
1987
Armstrong, Richard, John Hanhardt e Richard Marshall. Biennal Exhibition. New York, Whitney Museum of American Art, 1987.
Condo, George e Mark Dagley. . New York, Tony Shafrazi Gallery, 1987.
Dickhoff, Wilfried. Expanding Canvas or The Alter-Ego Strikes Back, George Condo: Paintings & Drawings 1985-87. Zurigo, Edition Gallery Bruno Bischofberger, 1987.
1986
Dickhoff, Wilfried. The Being of Nothingness - Notes on the existential abstraction in George Condo’s paintings. New York, Barbara Gladstone Gallery, 1986.
Dickhoff, Wilfried. Primer Salòn Irrealiste. Santa Cruz de Tenerife, Galeria Leyendecker, 1986.
Dickhoff, Wilfried. What It Is, catalogo della mostra,. New York, Wilfried Dickhoff & Tony Shafrazi Gallery, 1986.
George Condo. Tokyo, Akira Ikeda Gallery, 1986.
Godfrey, Tony. The New Image, Paintings in the 1980’s. New York, 1986.
Saltz, Jerry. Beyond Boundaries. New York, 1986.
Thomas, Karin. Bis Heute. Colonia, 1986.
1985
Dickhoff, Wilfried. Vor-Schein oder Aschenglanz. . Künstliche Paradiese. Kunstverein München and Museums Folkwang, Essen, 1985.
Dickhoff, Wilfried e Wolfgang Drechsler. Phase II. Graz, Steirischer Herbst ‘85. Stadtmuseum, 1985.
Flood, Richard. Das Vertigo Paradigma. Essen, Künstliche Paradiese. Kunstverein München and Museum Folkwang, 1985.
Becker, Robert. ''George Condo and David Bowes'', Interview, Maggio 1985.
Beyer, Lucie. ''We Light the Candle in the Cave'', Flash Art, Estate 1985.
Beyer, Lucie e George Condo. ''Nous allumons une bougie dans une caverne, Poeme ecrit par un Americain (...)'', Flash Art, n. 9, Autunno 1985, p. 20-21.
Collings, Mathew. ''Nothing is Important'', Artscribe, n. 55, Dicembre 1984 / Gennaio 1985.
Dickhoff, Wilfried. Review Wolkenkratzer, n. 6 Domus, Ottobre 1985.
Evans Clark, Phillip. Review, Art Press, Febbraio 1985.
Evans-Clark, Phillip. ''Neo-Surrealism, or the Archetype of the Artist as an Ostrich'', Arts Magazine, n. 4, Dicembre 1985, pp. 26-31.
Indiana, Gary. ''George Condo at Barbara Gladstone and Pat Hearn'', Art in America, Maggio 1985, p. 175.
''La Casa di Maria'', Domus, Dicembre 1985.
Mouffarage, Nicolas. Flash Art, Marzo 1985.
Nemeczek, Alfred. ''Neue Aktualitat des Portraits'', Art, n. 1, Gennaio 1985.
''GMHC Art Auction'', Sotheby’s, 1985.
Pincus-Witten, Robert. ''Entries: Analytical Pubism'', Arts Magazine, 1985.
Pohlen, Annelie. ''Nouveau Boheme'', Kunstforum, Gennaio/Febbraio 1985.
''Portfolio ‘Heads'', Paris Review, n. 98, Inverno 1985.
Trebay, Guy. ''An Opinionated Review of the Week’s Events'', The Village Voice, Gennaio 1985.
Van Nieuwenhuyzen, Martijn. Museum Journaal 1, 1985.
Vettese, Angela. ''Europe and America: Two Aspects of the New Surreal'', Flash Art, n. 122, Aprile/Maggio 1985.
Vettese, Angela. ''Europe et Amerique: Deux aspects du nouveau surreel'', Flash Art (French edition), n. 9, Autunno 1985.
1984
Perspective 1984. Basilea, Basel Art Fair, 1984.
Beyer, Lucie. Flash Art, Maggio 1984.
Glueck, Grace. The New York Times, Dicembre 1984.
Koether, Jutta. ''25 Bilder von George Condo'', Wolkenkratzer, Aprile/Maggio 1984.
1983
Glueck, Grace. ''Intoxication'', The New York Times, Dicembre 1983.
Pincus-Witten, Robert. L.A. Times, 1983.
Arts Magazine, 1983.
Sussler, Betsy. Bomb Magazine, 1983.
William Burroughs George Condo Collaborations 1988-1996. New York, Pat Hearn Gallery, 1998/97.