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Carlson
20134 Milano - Italia
t +39 02 7000 3987
f +39 02 7492 135
info@massimodecarlo.it
Carlson
Massimo De Carlo
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John Armleder
Massimo Bartolini
Chris Burden
Maurizio Cattelan
Paul Chan
Spartacus Chetwynd
Steven Claydon
Dan Colen
George Condo
Roberto Cuoghi
Elmgreen & Dragset
Roland Flexner
Gelitin
Thomas Grünfeld
Carsten Höller
Christian Holstad
Rashid Johnson
Elad Lassry
Sol LeWitt
Nate Lowman
Matthew Monahan
Olivier Mosset
Matt Mullican
Steven Parrino
Yan Pei-Ming
Diego Perrone
Paola Pivi
Jim Shaw
Josh Smith
Ettore Spalletti
Rudolf Stingel
Piotr Uklański
Kelley Walker
Andrea Zittel
Massimo Bartolini
Chris Burden
Maurizio Cattelan
Paul Chan
Spartacus Chetwynd
Steven Claydon
Dan Colen
George Condo
Roberto Cuoghi
Elmgreen & Dragset
Roland Flexner
Gelitin
Thomas Grünfeld
Carsten Höller
Christian Holstad
Rashid Johnson
Elad Lassry
Sol LeWitt
Nate Lowman
Matthew Monahan
Olivier Mosset
Matt Mullican
Steven Parrino
Yan Pei-Ming
Diego Perrone
Paola Pivi
Jim Shaw
Josh Smith
Ettore Spalletti
Rudolf Stingel
Piotr Uklański
Kelley Walker
Andrea Zittel
Paul Chan
Le opere
Installation View
Le notizie
Biografia
Installation View
Biografia
Stampa
Paul Chan è nato a Hong Kong nel 1973. Vive e lavora a New York.
BibliografiaPaul Chan
Paul Chan è nato a Hong Kong nel 1973. Vive e lavora a New York.
Esposizioni Personali
2008
The 7 Lights, New Museum, New York, USA
2007
Western Front, Vancouver, CDN
The Seven Lights, Serpentine Gallery, Londra, GB. Catalogo
Lights & Drawings, Stedelijk Museum CS, Amsterdam, NL
2006
Portikus, Frankfurt am Main, D. Catalogo
PAUL CHAN, a cura di Daniel Birnbaum, Magasin 3, Stoccolma, S. Catalogo
1st Light, The Fabric Workshop and Museum, Philadelphia, USA
3rd Light, Galleria Massimo De Carlo, Milano, I
2005
Momentum 5: Paul Chan, Institute of Contemporary Art, Boston, MA, USA
Tin Drum Trilogy, Franklin Art Works, Minneapolis, MN, USA
UCLA Hammer Museum, Los Angeles, CA, USA
Tin Drum Trilogy, Halwalls Contemporary Arts Center, Buffalo, NY, USA
2004
Greene Naftali Gallery, New York, NY, USA
2003
MOMA Film, Gramercy Theater, New York, NY, USA
Esposizioni Collettive
2011
Seeing is believing, KW Institute for Contemporary Art, Berlin, D
2010
How Soon Now, Rubell Family Collection, Miami, USA
Skin Fruit: Selections from the Dakis Joannou Collection, a cura di Jeff Koons, New Museum, New York, USA
2009
The PIG presents 8 Solos Shows..., Deitch Projects, New York, USA
2007
Biennale d’art contemporain de Lyon. L’Histoire d’une décennie qui n’est pas encore nommée, a cura di Stéphanie Moisdon, Hans Ulrich Obrist, sedi varie, Lione, F. Catalogo
Not Only Possible, But Also Necessary: Optimism in the Age of Global War, a cura di Hou Hanru, 10th International Biennale of Contemporary Art, Istanbul Foundation for Culture and ArtsArt, Istanbul, TR
Fractured Figure - Works from the Dakis Joannou Collection, a cura di Jeffrey Deitch, Deste Foundation Centre For Contemporary Art, Atene, GR. Catalogo
Traum und Trauma - Werke aus der Sammlung Dakis Joannou, Athen, Kunsthalle Wien, Vienna, AT
Still Life & Kicking, a cura di Dodie Kazanjian, Paula Cooper Gallery, New York, USA
2 Moscow Biennale of Contemporary Art, a cura di Joseph Backstein, Daniel Birnbaum, Iara Boubnova, Nicolas Bourriaud, Fulya Erdemci, Rosa Martinez, Hans Ulrich Obrist, Federation Tower e altre sedi, Mosca, RUS. Catalogo
2006
The Unhomely: Phantom Scenes in Global Society, a cura di Okwui Enwezor, 2a Bienal Internacional de Arte Contemporaneo de Sevilla, Siviglia, ES
Projection, a cura di Susanne Neubauer, Kunstmuseum Luzern, Lucerna, CH
Uncertain States of America, a cura di Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist, Serpentine Gallery, Londra, GB
This is America, Centraal Museum, Utrecht, NL
Whitney Biennial 2006: Day for Night, The Whitney Museum of American Art, New York, USA. Catalogo
Neo Sincerity: The Difference Between the Comic and the Cosmic is a Single Letter, a cura di Amei Wallach, Apexart, New York, USA
Panic Room. Works from the Dakis Joannou Collection, a cura di Jeffrey Deitch e Kathy Grayson, Deste Foundation. Centre For Contemporary Art, Atene, GR
All Digital, Museum of Contemporary Art, Cleveland, OH, USA
2005
If it’s Too Bad To Be True, It Could Be Disinformation, a cura di Mercedes Vicente, Apexart, New York, USA
Uncertain States of America, a cura di Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist, Astrup Fearnley Museum of Modern Art, Oslo, FI
8th Biennale de Lyon, sedi varie, Lione, F
I Still Believe in Miracles, Musee d’Art Moderne de la Ville de Paris, Parigi, F
Monuments for the USA, a cura di Ralph Rugoff, CCA Wattis Institute for Contemporary Art, San Francisco,CA, USA. Catalogo
Greater New York, P.S.1 MoMA, Long Island City (NY), USA
On Patrol, De Appel Centre for Contemporary Art, Amsterdam, NL
Props for a Romantic Comedy, a cura di Herb Tam, Longwood Art Gallery, Bronx, NY, USA
Utopia Station, a cura di Molly Nesbit, Rirkrit Tiravanija and Hans Ulrich Obrist, , Porto Alegre, BR
New Work/New Acquisitions, a cura di Klaus Biesenbach and Ann Temkin, The Museum of Modern Art, New York, NY, USA
Premieres, The Museum of Modern Art, Department of Film and Media, New York, NY, USA
2004
American Landscapes: Discordant Views, Palm Beach Institute of Contemporary Art, Lake Worth, FI, USA
American Idyll, Greene Naftali Gallery, New York, NY, USA
Carnegie International, Carnegie Museum of Art, Pittsburgh, PA, USA
Election Show, a cura di James Meyer, American Fine Arts, New York, NY, USA
Freud: The Creative Analysis of Analysis, a cura di Barry Rosenberg, School of Fine Arts, University of Connecticut, Storrs, CT, USA
Empire, a cura di David Little, Maryland Institute College of Art, Baltimora, MD, USA
2003
Regarding Amy, Greene Naftali Gallery, New York, NY, USA
History makes a comeback program, New York Video Festival at Lincoln Center, New York, NY, USA
From Baghdad to Bush on Video, Yerba Buena Center for the Arts, San Francisco, CA, USA
Global Conflicts, The Next 5 Minutes International Tactical Media Festival, Amsterdam, NL
Lean To, Real Art Ways, Hartford, CT, USA
Lean, ISE Foundation Gallery, New York, NY, USA
The Angry Breed, Pacific Film Archives Theatre, Berkeley, CA, USA
Cloudless, a cura di Bree Edwards, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, USA
pol-i-tick, Williams College Museum of Art, Williamstown, MA, USA
Baghdad Home Movies, Ocularis, Brooklyn, NY, USA
2002
MOOV, White Box Gallery, New York, USA
Some Assembly Required: Collage Culture in Post War America, Everson Museum of Art, Syracuse, NY, USA
Visual Codex, 450 Gallery, New York, NY, USA
Versus, Diverse Works (in association with Fotofest 2002), Houston, TX, USA
ELit, Museum of Contemporary Art, Chicago, IL, USA
Special Editions, Lower East Side Printshop, New York, NY, USA
2001
Two person exhibition, Dogmatic Gallery, Chicago, IL, USA
In Absentia, DUMBO short film and video festival program, Brooklyn, NY, USA
COSIGN: new media and semiotics exhibition, , Amsterdam, NL
Surviving in a digital world, Transmediale New Media Festival, Berlin, D
fRoliC*, Video Lounge and Readylight screening, New York, NY, USA
2000
Public Inventions and Interventions, Temporary Services Gallery, Chicago, IL, USA
Citizenship Imagined , Sonneschein Gallery, Lake Forest, IL, USA
Selected CD-ROMs, Ars Electronica2000 New Media Festival, Linz, AT
DUMBO experimental short film/video festival, , New York, NY, USA
Forum des Images, International Symposium of Electronic Arts, Parigi, F
New Media Art Now, LocationOne, New York, NY, USA
The politics of new media art, New Millennium Politics conference, New York, NY, USA
1999
Subway Outside, Subversive art night, Swiss Institute, New York, NY, USA
The Black Panther Omega 2000, Walker Art Center, Minneapolis, MN, USA
All power to the people, selected screening, The Kitchen, New York, NY, USA
The Contemporary Artist and Popular Culture, The Contemporary Center at the Folk Art Museum, New York, NY, USA
Stampa
Paul Chan
Bibliografia
2011
Hromack, Sarah . ''Off the page'', Frieze, n. 139, maggio 2011, pp. 23-24.
Groys, Boris. ''Liberation in the loop Paul Chan: the 7 lights'', Parkett, n. 88, marzo 2011, pp.64-70.
2010
AA.VV., . Skin Fruit. Selections from the Dakis Joannou Collection, catalogo della mostra, New Museum, New York, 2010.
How Soon Now, catalogo della mostra, Rubell Family Collection, Miami, 2010.
2009
Eler, Alicia. ''Paul Chan'', Art Papers, maggio-giugno 2009, p. 46-47.
Foster, Hal. ''Precarious'', Artforum International, Dicembre 2009, pp.206-209.
2008
Deitch, Jeffrey . Fractured Figure. Works From The Dakis Joannou Collection, catalogo della mostra, Deste Foundation, Atene. Atene, The Deste Foundation Centre for Contemporary Art, 2008.
Stations, 100 Meisterwerke Zeitgenossicher Kunst, catalogo della mostra,. Koln, Dumont Buchverlag, 2008.
Kastner, Jeffrey. ''Previews - Paul Chan: The 7 Lights'', Artforum, n. 5, gennaio 2008, p. 128.
''Paul Chan - The 7 Lights'', New Museum Paper, n. 4, Spring-Summer 2008, p. 6.
Cattelan, Maurizio. ''Paul Chan, Some things just stick in your mind'', Flash Art International, n. 262, ottobre 2008, pp. 110-113.
Vagheggi, Paolo. ''La Triennale di Saturno'', La Repubblica, 5 novembre 2008, pp. 52-53.
''Una proiezione con Beckett e Pasolini'', La Repubblica, 5 novembre 2008, p. 53.
Birnbaum, Daniel. 50 lune di Saturno, catalogo della mostra, Triennale di Torino, Torino. Ginevra - Milano, Skira, 2008.
Torti, Andrea e Alberto Fiz. ''80 artisti su cui investire'', Capital, dicembre 2008, pp. 124-129.
2007
''Paul Chan'', Tema Celeste, marzo-aprile 2007, p. 92.
Birnbaum, Daniel e Elisabeth Millqvist. Paul Chan, catalogo della mostra, Magasin 3, Stoccolma, Portikus, Frankfurt am Main, 2007.
Coulson, Amanda. ''Paul Chan'', Art Review, n. 8, febbraio 2007, p. 136.
Paul Chan: The 7 Lights, catalogo della mostra, Serpentine Gallery and New Museum, Londra, New York. Colonia, Buchhandlung Walther König, 2007.
''Paul Chan: se la tecnologia è poetica'', Velvet, n. 13, dicembre 2007, p. 250.
Gardellini, Lara. ''Reviews - Paul Chan'', Tema Celeste, n. 123, settembre-ottobre 2007, pp. 86-87.
2006
Reyle, Anselm, Beatrix Ruf, Dominic Eichler e Bruce Hainley. Reyle Anselm - Ars Nova, catalogo della mostra,. Zurigo, Kunsthalle Zürich, 2006.
Cotter, Holland. ''No Frames, No Brushes, Just a Limitless Flickering Screen'', The New York Times, 17 gennaio 2006.
Azimi, Negar. ''Paul Chan on Despotism, Democracy and the Fetish'', Bidoun, 2006.
Morton, Tom. ''Back - Uncertain States of America'', Frieze, n. 97, marzo 2006, p. 159.
Iles, Chrissie e Philippe Vergne. Whitney Biennial 2006 - Day for night, catalogo della mostra,. New York, Whitney Biennial 2006, 2006.
Nastro, Santa. ''Armin Linke / Paul Chan / Gelitin'', Exibart.com, febbraio 2006.
Bellini, Andrea. ''La Biennale del Whitney'', Flash Art , n. 257, aprile-maggio 2006, pp. 122-123.
Costa, Valentina. ''Gelitin/Paul Chan/Armin Linke'', Flash Art, n. 257, aprile-maggio 2006, p. 139.
Rothkopf, Scott. ''Embedded in the Culture'', Artforum, n. 10, estate 2006, pp. 304-311 (con copertina).
Paul Chan, catalogo della mostra, Magasin 3 Stockholm Konsthall, Stoccolma, 2006.
2005
AA.VV., . ''Featured NYFA Fellow Interview: Paul Chan'', NYFA Quarterly, n. 3, 2005.
Trainor, James. ''2004 Carnegie International'', Frieze, n. 88, gennaio-febbraio 2005, p. 109.
McClister, Nell. ''Paul Chan'', Bomb, n. 93, estate 2005.
Miller, Francine Koslow. ''When Politics Becomes Form'', Tema Celeste, n. 110, luglio-agosto 2005, pp. 38-43.
Heartney, Eleanor. ''Return to the Real?'', Art in America, giugno-luglio 2005.
Bellini, Andrea. ''New York Tales'', Flash Art International, n. 240, gennaio-febbraio 2005, pp. 104-106.
Bellini, Andrea. ''Where Form Ends and Contents Begins'', Flash Art International, n. 241, marzo-aprile 2005.
Eleey, Peter. ''Paul Chan'', Frieze, n. 89, marzo 2005, p. 104.
Genocchio, Benjamin. ''Art Review; Quick and on the Cheap, Love Enters the Battlefield'', The New York Times, 6 febbraio 2005.
Burton, Johanna. ''Review'', Artforum International, gennaio 2005.
Pollock, Barbara. ''25 New Yorkers who will make their mark in 2005'', Time Out New York, 20-26 gennaio 2005.
Rimanelli, David. ''Greater New York 2005'', Artforum International, maggio 2005.
Rosenberg, Karen. ''Artists on the Verge of a Breakthrough'', New York Magazine, 7 marzo 2005.
Scott, Andrea. ''Local Heroes'', Time Out New York, 31 marzo-6 aprile 2005.
Siegel, Katy. ''2004 Carnegie International'', Artforum International, gennaio 2005.
Volk, Gregory. ''Report from Pittsburgh'', Art in America, marzo 2005.
Zita, Carmen. ''Art Eternal'', Trace, marzo-aprile 2005.
Birnbaum, Daniel. ''Best of 2005 - “Momentum 5: Paul Chan”'', Artforum, n. 4, vol. XLIV, dicembre 2005, pp. 260-261.
Ichikawa, Akiko. ''Paul Chan'', Flash Art International, n. 240, gennaio-febbraio 2005.
Bellini, Andrea. ''Dove finisce la forma e inizia il contenuto'', Flash Art, n. 251, aprile-maggio 2005.
Danto, Arthur C.. ''Uncertain States of America'', Artforum, n. 4, vol. XLIV, dicembre 2005, p. 274.
Bellini, Andrea. ''Greater New York 2005'', Flash Art, n. 251, aprile-maggio 2005, pp. 122-123.
''Future Greats 2005'', Art Review, dicembre 2005, pp. 69,75,97,99.
Cotter, Holland. ''If It’s Too Bad to Be True, It Could Be Disinformation'', The New York Times, 11 novembre 2005.
Korotkin, Joyce. ''The Shadow of Death'', ArtReview, settembre 2005.
Holland, Christian. ''MOMENTUM 5: Paul Chan at ICA'', Big RED & Shiny, novembre 2005.
Ledogar, Kate. ''Thought Forms'', Boston’s Weekly Dig, novembre 2005.
Millis, Christopher. ''Warring Impulses'', The Boston Phoenix, 30 settembre-6 ottobre 2005.
Ralph Rugoff (a cura di). Monuments for the USA, catalogo della mostra. San Francisco, CCA Wattis Institute, 2005.
2004
Kerr, Merrily. ''Recuperating Revolt. Aaron Spangler, Paul Chan, and Catherine Sullivan'', Flash Art International, n. 236, maggio-giugno 2004, pp. 106-109.
Saltz, Jerry. ''Both Sides Now'', The Village Voice, 10-16 novembre 2004.
Thomas, Mary. ''Art & Politics: Visual artists mix paints and prints with politics'', The Pittsburgh Post Gazette, 29 settembre 2004.
Thomas, Mary. ''Imagination in motion'', The Pittsburgh Post Gazette, 13 novembre 2004.
Johnson, Ken. ''Pittsburgh Rounds Up A Globe Full of Work Made in Novel Ways'', The New York Times, 4 novembre 2004.
Schwendener, Martha. ''Review'', Artforum.com, 2004.
Harris, Jane. ''My birds...trash...the future'', Time Out New York, 4-11 novembre 2004.
Kimmelman, Michael. ''My birds...trash...the future'', The New York Times, 5 novembre 2004.
Cotter, Holland. ''Election'', The New York Times, 29 ottobre 2004.
''Voice Choices'', Village Voice, 27 ottobre-2 novembre 2004.
Kastner, Jeffrey. ''Manhattan Project'', Artforum International, settembre 2004, pp. 216-217.
Rosenburg, Karen. ''Pittsburgh Stealers'', New York, 11 ottobre 2004.
Smith, Roberta. ''Caution: Angry Artists at Work'', The New York Times, 27 agosto 2004.
Moynihan, Colin. ''A Guide to the Convention, But Not Just for Republicans'', The New York Times, 9 agosto 2004.
Durant, Mark Alice. ''Empire'', usART, giugno-agosto 2004.
''Critics Pick: Greene Naftali'', New York Magazine, 5 aprile 2004.
Westerbeke, Julia. ''Bushwachers'', Time Out New York, n. 444, 1-8 aprile 2004.
Genocchio, Benjamin. ''What is Really on the Mind of an Artist?'', The New York Times, 4 aprile 2004.
2003
Lewinson, Ann. ''Creating Awareness'', The Independent, ottobre 2003, pp. 39-43.
Saltz, Jerry. ''Babylon Rising'', Village Voice, 10 settembre 2003.
Smith, Roberta. ''A Gran Finale of Group Show Fireworks'', The New York Times, 18 luglio 2003.
Schwendener, Martha. ''Critic’s Choice'', Artforum online, 24 luglio 2003.
Genocchio, Benjamin. ''For Young Artists, a Show With Just the Right Slant'', The New York Times, 30 marzo 2003.
