StampaSteven Parrino
Steven Parrino, nato a New York nel 1958, è deceduto nella notte del 31.12.2004 a New York.
Esposizioni Personali
2008
Steven Parrino, Galerie Andrea Caratsch, Zurigo, CH
2007
Gagosian Gallery, New York, USA
La Marque Noire. Steven Parrino, Retrospective, Prospective, Palais de Tokyo, Parigi, F
Galerie Schmidt Maczollek, Colonia, D
2006
Rétrospective 1977-2004, a cura di Fabrice Stroun, MAMCO, Ginevra, CH
2004
Steven Parrino - Plan 9, Team, New York, USA
2003
Galerie Jean Brolly, Parigi, F
2002
Exit/Dark Matter, FriArt, Fribourg, CH
Steven Parrino Videos 1979 - Present, Circuit, Losanna, CH
2001
Team Gallery , New York, USA
2000
Sicilian Fresco Number One, Galleria Massimo De Carlo, Milano, I
The Box, Torino, I
Galerie Rolf Ricke, Colonia, D
1999
Team Gallery, New York, USA
It, Elizabeth Cherry Gallery, Tucson, USA
Le Box, Bourges, F
1998
Can, Neuchatel, CH
1997
Team Gallery, New York, USA
1996
Künstlerhaus Palais Thurn und Taxis Gärtnerhaus, Bregenz, AT
1995
Misfits, Tre Gallery, Stoccolma, S
Amphetamine Monster Mill, Art & Public, Ginevra, CH
De(Forming), Galerie Rolf Ricke, Colonia, D
Galleria Massimo De Carlo, Milano, I
Kees Van Gelder Gallery, Amsterdam, NL
1994
Win Van Der Abbeele Gallery, Anversa, F
John Gibson Gallery, New York, USA
1993
Galerie Rolf Ricke, Colonia, D
Art & Public, Ginevra, CH
Kees Van Gelder Gallery, Amsterdam
1992
Galleria Massimo De Carlo, Milano, I
L’Usine, Digione, F
Galerie Sylvana Lorenz, Parigi, F
1991
Galerie Arnaud Lefebvre, Parigi, F
Daniel Newburh Gallery, New York, USA
1990
Galleria Massimo De Carlo, Milano, I
Galerie Rolf Ricke, Colonia, D
1989
Metro Pictures, New York, USA
1988
Galleria Massimo De Carlo, Milano, I
Galerie Sylvana Lorenz, Parigi, F
1987
Holes and Slots, Nature Morte Gallery, New York, USA
1984
Nature Morte Gallery, New York, USA
Esposizioni Collettive
2011
Are You Glad to Be in America?, Massimo De Carlo, Milano, I
2009
Portrait de l’artiste en motocycliste, MAGASIN Centre National d’Art Contemporain de Grenoble, Grenoble, F
Born to Be Wild Hommage an Steven Parrino, Kunstmuseum St.Gallen, St.Gallen, CH
2008
Andre Wekua - Sunset. I Love The Horizon, Magasin - Centre National d’Art Contemporain, Grenoble, F
Deformalismes, a cura di Vincent Pécoil, Praz-Delavallade, Paris, F
From Brooklyn with Love, Parker’s Box, New York, USA
2007
Grotjahn, Hirst, Parrino, Reyle, Richter, Stingel, Warhol, a cura di Christopher Eamon, Gagosian Gallery, New York, USA
A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milano, I
The loss of history makes them constantly curious and continuously horny..., D’Amelio Terras Gallery, New York, USA
A Point in Space is a Place for an Argument, David Zwirner, New York, USA
2006
Il Buco #5, a cura di Achille Bonito Oliva, Galleria Pio Monti, Roma, I
Whitney Biennial 2006: Day for Night, The Whitney Museum of American Art, New York, USA. Catalogo
Cosmic Wonder, a cura di Betty Nyugen, Yerba Buena Center for the Arts, San Francisco, USA
2005
What’s New Pussycat?, Museum für Moderne Kunst, Francoforte, D
The Painted World, a cura di Bob Nickas, P.S.1 Contemporary Art Center, Long Island City (NY), USA
La Piste Noire, a cura di Marc-Oliver Wahler, Galerie Loevenbruck, Parigi, F
2004
Tre, Galleria Massimo De Carlo, Milano, I
None of the Above, a cura di John Armleder, Swiss Institute Contemporary Art, New York, USA
Following and to be followed, Le Consortium, Digione, F
Aux frontieres du degre zero..., Magasin, Grenoble, F
100 Mona Lisa valient mieux qu’une, Espace Paul Ricard, Parigi, F
Before the end, Le Consortium , Digione, F
Global world/ Private universe, Kunstmuseum, St. Gallen, CH
2003
Eugene Binder Gallery, Marfa (TX), USA
The Lyon Biennale, , Lione, F
In Conversation, University Art Museum, Brisbane, AU
The Melvins, a cura di Bob Nickas, Anton Kern Gallery, New York, USA
Vom Horror der Kunst, Grazerkunstverein, Graz
Perpetuum Mobile, Galerie Rolf Ricke, Colonia, D
Following and to be followed...one more time, L'Usine, Digione, F
Transnational Monster League, a cura di Banks Violette, Derek Eller Gallery, New York (NY), USA
We Love Painting - American Contemporary Art from the Misumi Collection, Museum of Contemporary Art, Tokyo, JP
2002
Black Bonds: Jutta Koether and Steven Parrino, The Swiss Institute, New York (NY), USA
The Rolf Ricke Collection, Nuremberg Museum, Norimberga, D
From the Observatory, a cura di Bob Nickas, Paula Cooper Gallery, New York (NY), USA
Olivier Mosset and Steven Parrino, Filles du Calvaire, Parigi, F
2001
Museum of Modern Art, Varsavia, PL
The End of All Things, Contemporanea, Milano, I
Vivid, Richard Salmon Gallery, Londra, GB
Here and Now, Galeria Sztuki Wspolczesnej Zacheta, Varsavia, PL
How is everything? Everything's going to be...alright, Elizabeth Cherry Gallery, Tucson (az), USA
2000
From the Collection, Ludwig Museum, Colonia, D
Endgames, Kunstmuseum, St. Gallen, CH
Painting Function: Making it Real, a cura di Saul Ostrow, Spaces, Cleveland (OH), USA. Catalogo
Hex Enduction Hour by the Fall, a cura di Bob Nickas, Team Gallery, New York
1999
efny99, Tomio Koyama Gallery, Tokyo, JP
Das XX Century: A Century of Art in Germany, Altes Museum, Berlin, D
Tang, Turner & Runyon, Dallas (TX), USA
30th Anniversary of Rolf Ricke Galerie, Museum Fridericianum, Kassel, D
Tam Ochiai and Steven Parrino, Team Gallery, New York, USA
1998
Coll tout centre l'art contemporain, Centre Georges Pompidou
1997
Ca-ca poo-poo, Kolner Kustverein, Colonia, D
Wetterleuchten, Galerie Evelyne Canus, Nizza, F
Irredeemable Skeletons, Shillam & Smith 3, Londra, GB
1996
Romantic, Zeppelin Museum, Friedrichschafen
a/drift: scenes from the penetrable culture, Center for Curatorial Studies Museum, New York (NY), USA
The Speed of Painting, Pat Hearn Gallery, New York (NY), USA
Calm Water/Distressed Fields, Artsplace, Nova Scotia, CA
Form als Ziel mundet immer in Formalismus (mies van der Rohe), Galerie Rolf Ricke, Colonia, D
The Most Important Thing in the World, Oasis vs Blur and Artists Who Rock, a cura di Bill Arning, (Alternative) Alternative Arts Fair, New York (NY), USA
Trois Collections D'Artistes, Musee des Beaux-Arts, La Chaux-de-Fonds, CH
1995
Galleria Massimo De Carlo, Milano, I
Smells Like Vinyl, Roger Merians, New York (NY), USA
Material Abuse, Trans-Art, Jersey City (NJ), USA
1994
Object, le Materiau de L'Oevre, Villa Du Park, Ginevra, CH
Drawings & Drawings, Kees Van Gelder Gallery, Amsterdam, NL
Adieu, Les Frontieres!, Bob Van Orsouw Gallery, Zurigo, CH
Dysfunction USA, a cura di Peter Halley e Robert Nickas, Arthur Roger Gallery, New Orleans
The Use of Pleasure, Terrain Gallery, San Francisco (C), USA
Panorama, Galerie Martina Detterer, Francoforte, D
1993
SUPERVISION, Raume Fur neue Kunst, Wuppertal, D
Galerie Martina Detterer, Francoforte (D)
Ecart, Galerie Susanna Kulli, St. Gallen, CH
A Grand Tour, Swiss Institute, New York (NY), USA
The Nightshade Family, Museum Fridericianum, Kassel, D
Live in Your Head, Heiligenkneuzerhof, Vienna, AT
American Fine Arts Company, New York (NY), USA
1992
And What Do You Represent?, Anthony Reynolds Gallery, Londra, GB
1968, Le Consortium, Digione, F
Andrea Rosen Gallery, New York (NY), USA
Dumb Painting, Centraal Museum, Utrecht, NL
Mele Chaud ou La Collection en Poche, Galerie Arnaud Lefebvre, Parigi, F
Paintings & Paintings, Gallerie Kees Van Gelder, Amsterdam, NL
Kinder! macht Neues!, Galerie Rolf Ricke, Colonia, D
Speedway Gallery, Boston, USA
Works-Concepts-Processes-Situations-Information, Galerie 1900-2000, Parigi, F
American Art Today: Surface Tension, The Art Museum - Florida International University, Miami (F), USA
Stones of Power, Gallerie Kees Van Gelder, Amsterdam, NL
1991
Home for June, Home for Contemporary Art, New York, USA
Le Consortium Collectionne, Chateau d’Orion, Orion, F
Histories d’Oeil, Museum of Contemporary Art, Lione, F
The Painted Desert, Galerie Renos Xippas, Parigi, F
a cura di John Armleder, Galerie Kees Van Gelder, Amsterdam, NL
Valses Nobles et Sentimentales, Ancienne Douane - Musee de la Ville de Strabourg, Strasbourg, F
1990
Collaborations, Andrea Rosen Gallery, New York, USA
Recent Acquisitions, Musee de Nimes, Nimes, F
Red, Galerie Isy Brachot, Bruxelles, B
Information, Terrain Gallery, San Francisco, USA
1989
Daniel Newburg Gallery, New York, USA
1988
Mutations, Annina Nosei Gallery, New York, USA
Dernier Station Avant L’Autoroute, Le Consortium, Digione, F
The Monochrome Experiment, Mesee St. Pierre Art Contemporain, Lione, F
1987
The Spectre of Saturation, Macintosh/Drysdale Gallery, Washington (DC), USA
Perverted by Language, Hillwood Art Gallery - Long Island University, New York, USA
1986
Reconstruct, John Gibson Gallery, New York, USA
Primary Structures, Rhona Hoffman Gallery, Chicago, USA
The Art of the Real, Galerie Pierre Huber, Ginevra, CH
Esprit, Salama-Caro Gallery, Londra, GB
Modern Art Since 1984, Nexus Center for Contemporary Art, Atlanta (GA), USA
When Attitudes Become Form, Bess Cutler Gallery, New York, USA
Umplifted Atmospheres, Borrowed Taste, Hallwalls, Buffalo (NY), USA
1985
The Anticipated Ruin, The Kitchen, New York, USA
Smart Art, Carpenter Center for the Arts - Harvard University, Cambridge, USA
Infotainment, Texas Gallery, Houston
Vanguard Gallery, Philadelphia, USA
1984
Limbo, P.S. 1, Long Island City (NY), USA
Still Life with Transaction, International with Monument, New York, USA
Natural Genre, Fine Arts Galleries - Florida State University, Tallahasee (F), USA
Forced Sentiment, a cura di Robert Longo, Artists Space, New York, USA
1983
Nature Morte Gallery, New York, USA
Damon Brandt Gallery, New York, USA
StampaSteven Parrino
Bibliografia
2009
Robbins, David. ''Steven Parrino- Rat Fink'', Flash Art International, n. 264, gennaio/febbraio 2009, pp.66-68.
2008
Parrino, Steven. The No Texts (1979-2003). New York, Abaton Book Company, 2008.
Andre Wekua - Sunset - I Love the Horizon, catalogo della mostra, MAGASIN, Grenoble. Grenoble, MAGASIN - Centre National d’Art Contemporain, 2008.
Spears, Dorothy. ''Death Can Be a Canny Carreer Move'', The New York Times, 2008.
2007
Birnbaum, Daniel. ''Steven Parrino. Palais de Tokyo'', Artforum International, n. 9, maggio 2007, p. 192.
Venturi, Riccardo. ''Oltre Parigi'', Specchio +, n. 562, agosto 2007, pp. 186-187.
''News - Il segno di Parrino'', Flash Art, n. 264, giugno-luglio 2007, p. 54.
Stroun, Fabrice. ''Steven Parrino Retrospective 1981-2004'', Palais, n. 3, estate 2007, pp. 14-25.
''Conversation avec Steven Parrino'', Palais, n. 3, estate 2007, pp. 26-37.
Saltz, Jerry. ''The Wild One'', The Art Review, 28 Ottobre 2007.
2006
''...allez admirer “condensations”'', Le Matin, 21 febbraio 2006.
Pécoil, Vincent. ''Steven Parrino'', Flash Art International, n. 249, luglio-settembre 2006, p. 122.
Birnbaum, Daniel. ''The 2006 Whitney Biennial'', Artforum International, n. 9, maggio 2006, pp. 283-284, p. 318.
Iles, Chrissie e Philippe Vergne. Whitney Biennial 2006 - Day for night, catalogo della mostra,. New York, Whitney Biennial 2006, 2006.
Carmine, Giovanni. ''Steven Parrino'', Frieze, n. 99, maggio 2006, pp. 168-169.
Scharrer, Eva. ''Steven Parrino'', Artforum International, n. 01, settembre 2006, p. 390.
Pècoil, Vincent . ''Steven Parrino - MAMCO'', Flash Art, settembre 2006.
Chaillou, Timothèe . ''Sceam Fresh'', Verso, giugno 2006.
''Steven Parrino, Mamco, Genève,'', Frog, giugno 2006.
Gasparina, Jill. ''Steven Parrino New York Doll?'', Art 21, maggio-giugno 2006.
Ermen, Richard . ''Stephen Parrino: reflecting live'', Kunstforum, maggio-giugno 2006.
Menz, Marguerite. ''Claude Rutault im Mamco'', Kunst-Bulletin, maggio 2006.
Carmine, Giovanni. Frieze, maggio 2006.
Huber, Gauthier. ''Flash-back sur Steven Parrino'', Kunst-Bulletin, aprile 2006.
Trembley, Nicolas. ''Radical'', Numèro, aprile 2006.
''Steven Parrino, à tombeau ouvert'', Particules, aprile 2006.
''Mit den Fetischfarben der Harleys'', Tages Anzeiger, 28 marzo 2006.
Schellenberg, Samuel. ''Trèpas ou pas?'', Le Courrier, 18 marzo 2006.
''Mamco: entre formatage et toiles froissèes'', Le Courrier, 18 marzo 2006.
Imhof, Michel . ''La francophonie fait la fete en famille'', La Tribune de Genève, 17 marzo 2006.
''in progress'', Journal des Arts, 17 marzo 2006.
''Steven Parrino'', L’Hebdo, 16 marzo 2006.
''Ausstellungen Aktuell'', Neue Zürcher Zeitung, 13 marzo 2006.
Chardon, Elisabeth. ''Un trio de performers russes à Genève'', Le Temps, 13 marzo 2006.
Grandjean, Emmanuel. ''Rutault et Parrino gagnent sur tous les tableaux'', La Tribune de Genève, 2 marzo 2006.
Garnier, Tania. ''Le roi new-yorkais du monochrome'', La Tribune des Arts, marzo 2006.
The Fake Magazine, marzo 2006.
Chauvy, Laurence. ''D’une gènèration dèsenchantèe. Steven Parrino a pariè sur l’excès'', Le Temps, 23 febbraio 2006.
''Expo - Rutault et Parrino ont rendez - Vous ce soir au MAMCO'', La Tribune de Genève , 21 febbraio 2006.
Ulmi, Nic. ''Barbies, Brèsil et lac Lèman'', La Tribune de Genève, 18 febbraio 2006.
''Steven Parrino au Mamco'', Le Temps/Sortir , 16 febbraio 2006.
''From Western Switzerland with love'', Umèlec, febbraio 2006.
Kelsey, John. ''Steven Parrino'', Artforum International, 1 gennaio 2006.
''News'', Ch-arts, febbraio 2006.
Huber, Gauthier. ''Flash-back sur Steven Parrino'', Kunst-Bulletin, aprile 2006.
2005
Nickas, Bob e Jutta Parrino. ''Dark Star, Bob Nickas and Jutta Koether on Steven Parrino'', Artforum International, n. 7, marzo 2005, p. 59.
Stroun, Fabrice. ''Steven Parrino (1958-2005)'', Parkett, n. 73, 2005, pp. 194-197.
Halle, Howard. ''R.I.P. Gretchen Bender and Steven Parrino'', Time Out, 13 gennaio 2005, p. 62.
Smith, Roberta . ''Steven Parrino, 46, an Artist'', New York Times, 3 gennaio 2005.
2004
Violet, Banks. ''The no texts 1979-2003'', Artforum International, n. 5, gennaio 2004, p. 48.
Lawson, Thomas. ''Infotainment'', Artforum International, ottobre 2004, pp. 93-94, 281.
Simpson, Bennnett. ''From Noise to Beuys'', Artforum International, febbraio 2004, pp. 59-60.
2003
Herbert, Martin. ''Biennale d’Art Contemporain de Lyon'', Artforum International, n. 4, dicembre 2003, p. 139.
Perez, Christophe. ''Interview with Marc-Olivier Wahler'', Le Journal des Arts, marzo 2003.
''No Texts (1979-2003)'' in Steven Parrino. Jersey City, Abaton Book Company, 2003.
Perez, Christophe. ''Interview with Marc-Olivier Wahler'', Le Journal des Arts, marzo 2003.
2002
Ryan, David. ''Thinking in the Abstract'', Contemporary, febbraio 2002.
2001
Fyfe, Joe . ''Steven Parrino at Team'', Art in America, settembre 2001, p. 150.
Fabianich, Eric. ''Steven Parrino Rocks On'', NY Arts, giugno 2001, p. 70.
Odita, Odili Donald. ''The Artists of Here & Now talk about Painting and Poland'', NY Arts, luglio-agosto 2001, pp. 10-11.
2000
Braff, Phyllis. ''Punk and Bloat'', New York Times, 10 dicembre 2000.
Conti, Tiziana. ''Steven Parrino: Massimo De Carlo'', Tema Celeste, n. 82, 2000, p. 89.
Schroeder, Ivy. ''Village Person'', River Front Times, 15 novembre 2000.
Gaulthier, Michel. Art Presence, 2000, pp. 1-10.
1999
Saltz, Jerry. ''Where the Boys Are'', Village Voice, 5 ottobre 1999, p. 187.
''Feature Article'', Korean Magazine, 1999.
Robbins, David. ''Abc TV'', Artforum, ottobre 1999, p. 118.
Nagy, Peter. ''Dual Nature'', Artforum, ottobre 1999, p. 129.
Neel, Alex. ''Review'', Time Out New York, 23 settembre 1999.
Regan, Margaret. ''Back in Black'', Tucson Weekly, 3 maggio 1999.
1996
Mosset, Olivier. Bomb Magazine, n. 56, estate 1996, p. 8.
1995
SPEX Magazine, n. 47, luglio 1995.
Z Magazine, agosto 1995.
Harris, Susan. Art in America, n. 4, aprile 1995, p. 110.
Wallenstein, Sven Olov. ''Painting in the Disrupted Field'', MateriaL: Journal of Contemporary Art, n. 24, giugno 1995, p. 6.
1993
Gauthier, Michel. ''Mis En Plis (La Peinture Entre Deconstruction et Cosmetique'', Omnibus Gazzette Trimestrelle Sur L’Art Contemporain, n. 5, febbraio 1993.
Corris, Michael e Robert Nickas. ''Punishment and Decoration, Art in an Age of Militant Superficiality'', Artforum, n. 31, aprile 1993, p. 79.
1992
Verzotti, Giorgio. ''Olivier Mosset & Steven Parrino'', Artforum, dicembre 1992, pp. 102-103.
Smolik, Noemi. ''Kinder! Macht Neues! Review of group show at Rolf Ricke'', Artforum, dicembre 1992, p. 105.
Seward, Keith. ''Artists Books Steven Parrino with a text by Lydia Lunch'', Artforum, dicembre 1992, p. 85.
Corris, Michael. ''The Pandemonium of the Showroom'', Artforum, settembre 1992, p. 91.
Liebmann, Lisa. ''Mr. Hoet’s Holiday'', Artforum, settembre 1992.
Schjeldahl, Peter. ''The Documenta of the Dog'', Art in America, settembre 1992, p. 91.
Estenger, Max. ''Innovation After Post-Modernism'', Tema Celeste, estate 1992, p. 21.
1991
Murken, Alex e Christa Murken. Von Der Avantgarde Bis Zur Postmoderne, catalogo della mostra, Zeit Zeuge Kunst, Munchen. Munchen, Klinnkhardth & Biermann, 1991, pp. 338-339.
Nechtvatal, Joseph. ''The Collapse of the 80’s Image'', M/E/A/N/I/N/G Contemporary Art, n. 9, maggio 1991.
Senaldi, Marco. ''Steven Parrino - General Idea'', Flash Art, n. 161, aprile/maggio 1991, p. 146.
1989
Noland, Cady. ''Towards a Metalanguage of Evil'', Balcon 4, 1989.
Mosset, Olivier. ''STAR TREK, Neo-Geo: The Next Generation'', Bomb Magazine, n. 29, autunno 1989.
Hafif, Marcia. ''True Colors'', Art in America, giugno 1989.
Dagbert, . Art Press, n. 133, febbraio 1989.
Bankowsky, Jack. ''New York Letter'', Art Issues, aprile 1989.
1988
Dupont, Valery. Art Press, n. 129, ottobre 1988.
Robbins, David. ''Steven Parrino - Personal Interview'', Flash Art, 1988, pp. 5-6.
Panzera, Mauro. Tema Celeste, gennaio-marzo 1988, pp. 70-71.
1987
Cameron, Dan. ''The Art of the Real'', Tema Celeste, novembre 1987, pp. 12-13.
Queloz, Catherine. ''Inside the White Cube'', Faces, primavera 1987, pp. 5-6.
Nickas, Robert. The Art of the Real, catalogo della mostra, Galerie Pierre Huber, Ginevra, Svizzera, 1987.
Nickas, Robert. ''Anxious Objects'', Flash Art , febbraio-marzo 1987.
Bankowsky, Jack. ''Review of Metro Pictures Group Show'', Flash Art, estate 1987.
1986
Nickas, Robert e David Robbins. ''Shrink Rap'', Arts Magazine, settembre 1986.
Bankowsky, Jack. ''The Yuppie Sublime'', East Village , 1986.
1985
Halle, Howard. ''The Anticipated Ruin'', Spectacle, n. 3, 1985.
Artnews, aprile 1985.
Robbins, David, Thomas Lawson e George W.S. Trow. Infotainment, catalogo della mostra,. New York, J.Berg Press, 1985.
1984
Collins, e Milazzo. ''Constructs for a New Scrutiny'', New Observations, 1984.
Collins, e Milazzo. Forced Sentiment, catalogo della mostra, Artist Space, New York, 1984.
Collins, e Milazzo. ''Natural Genre'' in, catalogo della mostra, Fine Arts Gallery, Florida State University, Talahsee, Florida, 1984.
Mashek, Joseph. Smart Art. New York, Locker & Owens Publishing, 1984.
Breson, Michael. The New York Times, 21 dicembre 1984.
1982
Moufarrege, N.A.. ''East Village'', Flash Art, inverno 1982.
War is over, catalogo della mostra, GAMeC, Bergamo, 2005-2006.