Via Giovanni Ventura 5
20134 Milano - Italia
t +39 02 7000 3987
f +39 02 7492 135
info@massimodecarlo.it
Carlson
20134 Milano - Italia
t +39 02 7000 3987
f +39 02 7492 135
info@massimodecarlo.it
Carlson
Massimo De Carlo
- Mostre in corso
- Gli Artisti
- Opere
- Le Notizie
- Le Produzioni
- La Galleria
- La Storia
- Nel Mondo
- Area Stampa
- Info Utili
- Link
- Area Riservata
- en |IT
John Armleder
Massimo Bartolini
Chris Burden
Maurizio Cattelan
Paul Chan
Spartacus Chetwynd
Steven Claydon
Dan Colen
George Condo
Roberto Cuoghi
Elmgreen & Dragset
Roland Flexner
Gelitin
Thomas Grünfeld
Carsten Höller
Christian Holstad
Rashid Johnson
Elad Lassry
Sol LeWitt
Nate Lowman
Matthew Monahan
Olivier Mosset
Matt Mullican
Steven Parrino
Yan Pei-Ming
Diego Perrone
Paola Pivi
Jim Shaw
Josh Smith
Ettore Spalletti
Rudolf Stingel
Piotr Uklański
Kelley Walker
Andrea Zittel
Massimo Bartolini
Chris Burden
Maurizio Cattelan
Paul Chan
Spartacus Chetwynd
Steven Claydon
Dan Colen
George Condo
Roberto Cuoghi
Elmgreen & Dragset
Roland Flexner
Gelitin
Thomas Grünfeld
Carsten Höller
Christian Holstad
Rashid Johnson
Elad Lassry
Sol LeWitt
Nate Lowman
Matthew Monahan
Olivier Mosset
Matt Mullican
Steven Parrino
Yan Pei-Ming
Diego Perrone
Paola Pivi
Jim Shaw
Josh Smith
Ettore Spalletti
Rudolf Stingel
Piotr Uklański
Kelley Walker
Andrea Zittel
Jim Shaw
Le opere
Installation View
Le notizie
Biografia
Installation View
Biografia
Stampa
Jim Shaw è nato a Midland, Michigan nel 1952. Vive e lavora a Los Angeles, CA.
BibliografiaJim Shaw
Jim Shaw è nato a Midland, Michigan nel 1952. Vive e lavora a Los Angeles, CA.
Esposizioni Personali
2013
Jim Shaw, Simon Lee Gallery, London, GB
2012
Jim Shaw, Metro Pictures, New York, USA
Jim Shaw, The Baltic Centre for Contemporary Art, Gateshead, GB
2011
Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter, Inc., Santa Monica, CA, USA
Jim Shaw - Fumetto, International Comix-Festival Luzern, Kunstmuseum Luzern, Lucerna, CH
Jim Shaw, Galerie Praz-Delavallade, Paris, F
2010
Jim Shaw. New Works, Bernier/Eliades, Atene, GR
Jim Shaw. Left Behind, a cura di Charlotte Laubard, CAPC Musée d'Art Contemporain, Bordeaux, F
Jim Shaw Sélection d’oeuvres sur papier 1984 - 1997, Saint Honoré Art Consulting, Parigi, F
2009
The Whole: A Study in Oist Integrated Movement, Simon Lee Gallery, Londra, GB
2008
Extraordinary Rendition, Melrose Gallery, Los Angeles, USA
2007
Dr. Goldfoot and His Bikini Bombs, Metro Pictures, New York, USA
2012 - Montezuma’s Revenge, Praz-Delavallade, Berlin, D
Distorted faces & portraits 1978-2007, 5 rue de la Muse, Genève, CH. Catalogo
Jim Shaw: The Donner Party, P.S.1 Moma Contemporary Art Center, New York, USA
Jim Shaw, Galleria Massimo De Carlo, Milano, I
2006
Jim Shaw, Bernier/Eliades Gallery, Atene, GR
emilyTsingou Gallery, Londra, GB
My Mirage 1986-91, Skarsted Fine Art, New York, USA
Olaf Breuning, Jim Shaw, Cindy Sherman, Metro Pictures, New York, USA
2005
The Inky Depths / The Woman in the Wilderness, Metro Pictures Gallery, New York, USA
Jim Shaw, Art & Public, Ginevra, CH
The Dream That Was No More A Dream, Patrick Painter, Inc, Santa Monica, USA
2004
O, Kunsthaus Glarus, Glarus, D
New Work, Emily Tsingou Gallery, Londra, GB
2003
Drawings, Metro Pictures, New York, USA
O (oeuvres d’inspiration O-iste), Magasin Center of Contemporary Art, Grenoble, F. Catalogo
Drawings, Art & Public, Ginevra, CH
The Dream That Was No More a Dream, Patrick Painter Gallery, Santa Monica, CA, USA
Kill your Darlings, Bernier/Eliades, Atene, GR
2002
O-ist Thrift Store Paintings, Metro Pictures, New York, USA
The Goodman Image File and Study, Swiss Institute, New York, USA
The Rite of the 360° Degree, Galerie Praz-Delavallade, Parigi, F
Galleria Massimo De Carlo, Milano, I
2001
Dreamt of Drawings, Emily Tsingou Gallery, Londra, GB
Metro Pictures, New York, USA
Galerie Praz-Delavallade, Parigi, F
Logan Galleries, CCAC Institute, San Francisco, USA
Galleria Massimo de Carlo, Milano, I
2000
The Thrift Store Painting, ICA, Londra, GB
Everything Must Go, a cura di Sue Spaid, The Contemporary Art Center, Cincinnati, USA
Everything Must Go, Musée d’Art Moderne et Contemporain, Ginevra, CH. Catalogo
Patrick Painter Gallery, Santa Monica, CA, USA
Galerie Johnen & Schöttle, Colonia, D
1999
Metro Pictures, New York, USA
Galerie Praz-Delavallade, Parigi, F
1998
Everything Must Go, Casino , Lussemburgo, LU
Jim Shaw, Drawings, a cura di Peter Weiermair, Rupertinum, Museo d’Arte Moderna e Contemporanea, Salisburgo, AT
Jim Shaw Drawings in Eccentric Drawing, a cura di Peter Weiermair, Frankfurter Kunstverein, Francoforte, D
1997
The Deep Gallery, Tokyo, JP
Bookbeat, Detroit, USA
Rosamund Felsen Gallery, Santa Monica, USA
Galerie Praz-Delavallade, Parigi, F
1996
The Sleep of Reason, Metro Pictures, New York, USA
Dreams, Cabinet Gallery, Londra, GB
Galleria Massimo de Carlo, Milano, I
Jim Shaw (in residence), Rosamund Felsen Gallery, Santa Monica, USA
1995
I Dreamed I Was Performing in an Alternative Space in My Maidenform Bra, Rosamund Felsen Gallery, Santa Monica, USA
Dreams, Galleri Andreas Brändström, Stoccolma, S
What Exactly is a Dream or What Exactly is a Joke..., University of Nevada Donna Beam Gallery, Las Vegas, USA
Dreams, Galerie Krinziger, Vienna, AT
1994
Dreams That Money Can Buy, Rena Branstein Gallery, San Francisco, USA
1993
Dreams That Money Can Buy, Metro Pictures, New York, USA
Dreams That Money Can Buy, Linda Cathcart Gallery, Santa Monica, USA
1992
Life and Death, Texas Gallery, Houston, USA
Metro Pictures, New York, USA
Horror A Vacui, Linda Cathcart Gallery, Santa Monica, USA
Galleria Massimo de Carlo, Milano, I
1991
New Works From ‘My Mirage’, Linda Cathcart Gallery, Santa Monica, USA
1990
My Mirage, Linda Cathcart Gallery, Santa Monica, USA
Jim Shaw: My Mirage, St Louis Museum of Art, St Louis, USA. Catalogo
Feature Gallery, New York, USA
1989
Dennis Anderson Gallery, Los Angeles, USA
1986
The Nuclear Family, EZTV, Los Angeles, USA
1981
Jim Shaw: Life and Death, Zero Zero Club, Los Angeles, USA
Esposizioni Collettive
2011
Portraits: Cabinet de Curiosités, Galerie Betrand & Gruner, Geneva, CH
Return of the Repressed: Destroy all Monsters, 1973-1977, PRISM, Los Angeles, USA
2010
Rive gauche / Rive droite, a cura di Marc Jancou, sedi varie, Paris, F
Skin Fruit: Selections from the Dakis Joannou Collection, a cura di Jeff Koons, New Museum, New York, USA
BigMinis - Fetishes of crisis, a cura di Alexis Vaillant, CAPC Musée d'Art Contemporain, Bordeaux, F
The Artist's Museum: Los Angeles, Artists 1980-2010, Los Angeles County Museum of Art, Los Angeles, USA
Destroy All Monsters: Hungry for Death, AMP, Athens, GR
2008
Experimental Folklore, a cura di Tobi Maier, Frankfurter Kunstverein, Frankfurt am Main, D
Homage to Modern Art, Galleria Massimo De Carlo, Milano, I
Busan Biennale, Sedi varie, Busan, KR
Amateurs, California College of the Arts, San Francisco, USA
Zuordnungsprobleme, Johann König, Berlin, D
In Geneva No One Can Hear You Scream, Blondeau Fine Art Services, Geneva, CH
If Everybody had an Ocean: Brian Wilson, an art Exhibition, a cura di Alex Farquharson, CAPC Musée d’Art Contemporain, Bordeaux, F
Strange Events Permit Themselves the Luxury of Occurring, Camden Arts Centre, London, GB
2006
Faces, QuARTier des Bains - Blondeau Fine Art Service, Ginevra, CH
Los Angeles 1955-1985. The Birth of an Art Capital, Centre Pompidou, Parigi, F
Dormir, rever...et autres nuits, CAPC Musèe d’art contemporain, Bordeaux, F
2005
100 Artists See God, a cura di John Baldessari e Meg Cranston, ICA - Institute of Contemporary Art, Londra, GB
Superstars. The Celebrity Factor. From Warhol to Madonna, a cura di Ingrid Brugger, Gerald Matt, Thomas Miessgang, Heike Eipeldauer e Florian Steininger, Kunsthalle, Vienna, A
Looking at Words: The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York, USA
Self Portraits, Skarstedt Fine Art, New York, USA
100 Artists See God, a cura di John Baldessari e Meg Cranston, Contemporary Art Center of Virginia, Virginia Beach (VA), USA
2004
Walking on Elbows, a cura di Mindy Shapero, Anna Helwig Gallery, Los Angeles, USA
SITE, 5th International Biennial. Disparities & Deformities: Our Grotesque, a cura di Robert Storr, sedi varie, Santa Fe, USA
100 Artists See Satan, Grand Central Art Center, Santa Ana, CA, USA
Paper, Emily Tsingou Gallery, Londra, GB
Genesis Sculpture, Experience Pommery #1, Domaine Pom, Reims, F
Drawings, Galerie Praz-Delavallade, Parigi, F
La Fabrique du Sensible, Musée Departemental d’Art Contemporain de Rochechouart, Rochechouart, F
Group Show, Kathryn Lovegrove Gallery, Los Angeles, USA
Planet B, Magazin4 Bregenzer Kunstverein, Bregenz, AT. Catalogo
2003
100 Artists See God, The Jewish Museum, San Francisco, USA
LA Post Cool, Ben Maltz Gallery at Otis College of Art & Design, Los Angeles, USA
Laurent Delaye Gallery, Londra, GB
Plus, si affinités, FRAC Poitou Charentes, Angouleme, F
How High Can you Fly, Kunsthaus, Glarus, CH
100 Artists See God, Naples Museum of Art, Naples, USA
100 Artists See God, Memorial Art Gallery - University of Rochester, Rochester, USA
Il Passato Non Esiste, Aurora, Rovereto, I
Extra, Swiss Institute, New York, USA. Catalogo
2002
LA Uncool, Museum of Art, San Jose, CA, USA
French Collection, MAMCO Musée d'Art Moderne et Contemporain, Ginevra, CH
Subréel, MAC, galeries contemporaines des Musées de Marseille, Marsiglia, F. Catalogo
The Shirt Off Your Back, Santa Monica Museum of Art, Santa Monica
Whitney Biennale, Whitney Museum of Modern Art, New York, USA
Biennale di Sidney, sedi varie, Sidney, AU. Catalogo
Video Acts, P.S.1 Contemporary Art Center, Long Island City, New York, USA. Catalogo
Amused, Perth Institute of Contemporary Art, Perth, AU
Super Heroes, Galerie Edward Mitterand, Ginevra, CH
Shoot the Singer: Music On Video, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
2001
All Work and No Play Makes Jack a Dull Boy, , Berna, CH
The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, USA. Catalogo
The Magic Hour, Neue Galerie Graz im Künstlerhaus, Graz, AT
Texas Gallery, Houston, TX, USA
Tony Oursler, Jim Shaw, John Miller, Mike Kelley, Galerie Biedermann, Monaco, D
Rena Branstein Gallery, San Francisco, USA
2000
Made in California 1900-2000, Los Angeles County Museum of Art, Los Angeles, USA
El Poder de Narrar, a cura di Kevin Power, Espai d’Art Contemporani De Castello, ES. Catalogo
Musée des Arts Modestes, Sète, F
Jim Shaw, Yoshimoto Nara, Johnen + Schottle, Colonia, D
Diary, Cornerhouse Gallery, Manchester, GB
Diary, The Minoris, Colchester, GB
Biennale di Montréal, sedi varie, Montréal, CA
Destroy All Monsters, COCA, Seattle, USA
Representing LA, Friart Museum, Seattle, USA
Dreaming Machines, , Londra, GB
1999
Parler, c’est percevoir, c’est percevoir, c’est présenter. Jim Shaw in dialogo con Benjamin Weissmann,
God Don’t Make No Junk, Angstrom Gallery, Douglas, USA
Ainsi de Suite 3, Centre Régional d’art contemporain, Languedoc Roussillon, F
Series #1, a cura di Noëllie Roussel e Martin Corompt, Basement, Pasadena, USA
Drawn by..., Metro Pictures, New York, USA
Time after Time..., Emily Tsingou Gallery, Londra, GB
In Sickness and in Health, Project Gallery, Witchita, KS center, New York, USA
Drawn from the artist’s collection, The Drawing Center, New York, USA
I, Me, Ming, Luck Man GA, Calstate U, Los Angeles, USA
Pasadena Adjacent, Richard Heller Gallery, Santa Monica, USA
At Century’s End, Museum of Contemporary Art, Lake Worth, FL, USA
Drawn by..., Metro Pictures, New York, USA
Anisi de Suite 3, Centre Originale d’Art Contemporaine, Roussiolin, F
1998
Sunshine & Noir: Art in LA 1960-1997, The Armand Hammer Museum of Art, Los Angeles, USA. Catalogo
Sunshine & Noir: Art in LA 1960-1997, Castello di Rivoli Museo d'Arte Contemporanea, Rivoli-Torino, I. Catalogo
Carte Blanche Galerie Praz-Delavallade, Istituto francese, Torino, I
Emily Tsingou Gallery, Londra, GB
The Bean Show, a cura di Marc Pally e Rhonda Sabbof, Dirt Gallery, Hollywood, USA
Affinities & Collections, California Center for the Arts, Escondido, USA
Fictional Biographies, a cura di Julie Joyce, Rio Hondo College, Whittier, CA, USA
LA on Paper; Relax, Galerie Krinzinger, Vienna, AT
From Head to Toe: Concepts of the Body in the 20th Century Art, Los Angeles County Museum of Art, Los Angeles, USA
Pop-Surrealism, Aldrich Museum of Art, Ridgefield, CT, USA
Tell Me a Story, Centre National d’Art Contemporain, Grenoble, F
I Rip You, You Rip Me (Honey, We’re Going Down in History), Museum Boijmans Van Beuningen, Rotterdam, BE
Graphic, Monash University Gallery, Clayton, Victoria, AU
Spread, Rena Branstein Gallery, San Francisco, USA
Everybody Loves a Clown, Baby, Why Don’t You?, Guggenheim Gallery, Chapman University, Orange, CA. Catalogo
Educating Barbie, Trans Hudson Gallery, New York, USA
Night Vision, a cura di Michael Miller, Junior Arts Center Gallery, Los Angeles Municipal Art Gallery, Los Angeles, USA
Slip Stream, Modern Institute, Glasgow, GB
Life Lessons, Laguna Art Museum, Laguna, CA, USA
The New Surrealism, Pamela Auchin Closs, New York, USA
1997
Sunshine & Noir: Art in LA 1960-1997, Kunstmuseum Wolfsburg, Wolfsburg, D. Catalogo
Sunshine & Noir: Art in LA 1960-1997, Louisiana Museum of Modern Art, Humlebaek, DK. Catalogo
Slad, a cura di Janice Krasnow e Mary Jones, Apex Art, New York, USA
Angel, Angel, Kunsthalle, Vienna, AT. Catalogo
Display, The Charlottenborg Exhibition Hall, Copenhagen, DK. Catalogo
Performance Anxiety, Museum of Contemporary Art, San Diego, USA
Kunstlerinen, Kunsthaus, Bregenz, AT
I Have a Dream, a cura di John Miller, Richard Telles Fine Art, Los Angeles
Anomalies, Contemporary Art Collective, Las Vegas, USA
1996
Psy-Fi, Real Art Ways, Hartford, CT, USA
The Comic Depiction of Sex in American Art, Sabine Knust Gallery, Monaco, D
Popcultural, South London Gallery, Londra, GB
Group Show, Dean Jensen Gallery, Miwaukee, USA
The Magic Show, a cura di Jeffrey Vallance, Magic and Movie Hall of Fame, O’Sheas Casino, Las Vegas, USA
Shaw, Benjamin Weissman, Galerie Praz-Delavallade, Parigi, F
From LA With Love, Galerie Praz-Delavallade, Parigi, F
1995
It’s Only Rock and Roll, Contemporary Arts Center, Cincinnati, OH, USA. Catalogo
Art on Paper, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, USA. Catalogo
1994
Can You Always Believe Your Eyes?, De Beyerd, Breda, NL
Jim Shaw, Tony Oursler, Laura Carpenter Fine Arts, Santa Fe, NM, USA
Single-Cel Creatures: Cartoons and their Influence on the Contemporary Arts, Katonah Museum of Art, New York, USA
Arrested Childhood, Center of Contemporary Art, North Miami, USA. Catalogo
Facts and Figures, Lannan Foundation, Los Angeles, USA
Summer Academy, Paco Wildenstein, New York, USA
1993
Prospect ‘93, Frankfurter Kunstverein, Francoforte, D
Der Zerbrochene Spiegel (Thrift Store Painting Collection), Staatliche Akademie der Bildenden Kuenste, Vienna, AT. Catalogo
The Return of the Cadavre Exquis, The Drawing Center, New York, USA
Into the Lapse (video), Royal Academy of Fine Art, Copenhagen, DK
SoHo at Duke IV, Duke University Museum of Art, Durham, NC, USA
Kustom Kultur, Laguna Art Museum, Laguna Beach, CA, USA
Sampler, Southern California Videotape Collection, David Zwirner Gallery, USA
Four Centuries of Drawing: 1593-1993, Kohn Abrams Gallery, Los Angeles, USA
The Language of Art, Kunsthalle, Vienna, AT
The Broken Mirror, Kunsthalle e Vienna Festival, Vienna, AT
Summer Reading, Texas Gallery, Houston, TX, USA
1992
LAX, Galerie Ursula Krinzinger, Vienna, AT
Helter Skelter: LA Art in the 1990s, a cura di Paul Schimmel, Museum of Contemporary Art, Los Angeles, USA. Catalogo
Tattoo Collection, Air de Paris & Urbi et Orbi at the Jennifer Flay Gallery, Parigi, F; Galerie Daniel Buchholz, Colonia; Andrea Rosen Gallery, New York; CRDC, Nantes, F
Songs of Innocence/Songs of Experience, Whitney Museum of American Art at Equitable Center, New York, USA
Re-Framing Cartoons, Wexner Center for the Arts, The Ohio State University, Columbus, OH, USA
True Stories, Institute of Contemporary Arts, Londra, GB. Catalogo
American Art of the 80’s, Museo d’Arte Moderna e Contemporanea di Trento, Trento, I. Catalogo
Irony and Ecstasy: Contemporary American Drawings, Center for the Arts, Wesleyan University, Middletown, CO, USA
Rosamund Felsen Clinic and Recovery Center, a cura di Ralph Rugoff, Rosamund Felsen Gallery, Los Angeles, USA
Into the Lapse, 1301, Santa Monica, USA
The Day the Earth Stood Still, Cirrus Gallery, Los Angeles, USA
Ronald Jones, Robert Longo, Mike Kelley Jim Shaw, Metro Pictures, New York, USA
How It Is, Tony Shafrazi Gallery, New York, USA
Just Pathetic, American Fine Arts Co., New York, USA
1991
Biennial, Whitney Museum of American Art, New York, USA. Catalogo
California North and South, Aspen Museum of Art, Aspen, CO, USA
No Man’s Time, Villa Arson, Nizza, F. Catalogo
Presenting Rewards, a cura di ralph Rugoff, Rosamund Felsen Gasllery, Los Angeles, USA
HAH, Roy Boyd Gallery, Santa Monica, USA
The Store Show, Richard Bennett Gallery, Los Angeles, USA. Catalogo
The Kelly Family, Esther Schipper, Colonia, D
1990
Video and Dream, Museum of Modern Art, New York, USA
Recent Drawings: Roni Horn, Charles Ray, Jim Shaw, Michael Tetherow, Whitney Museum of American Art, New York, USA. Catalogo
Thrift Store Painting, Brand Library Art Galleries, Glendale, USA
Berlin Film and Video Festival, , Berlin, D
Total Metal, Simon Watson Gallery, New York, USA
1989
Amerikarma, Hallwalls, Buffalo, NY, USA
Boys Will Be Boys, Linda Cathcart Gallery, Santa Monica, USA
Erotophobia, Simon Watson Gallery, New York, USA
LA Six, Rena Bransten Gallery, San Francisco, USA
Buttinski, Feature Gallery, New York, USA
Acceptable Entertainment & About TV, Appropriation and Parody in Contemporary Video Art, LA Municipal gallery, Barnsdall Art Park, Los Angeles, USA
Thick and Thin, Fahey/Klein Gallery, Los Angeles, USA
Romancing the Stone, Feature Gallery, New York, USA
No Stomach, Installation Gallery, San Diego, USA
1988
Telling Tales, Artists Space, New York, USA
Group Show, Dennis Anderson Gallery, Los Angeles, USA
Group Show, Feature Gallery, Chicago, USA
In the Afterglow of TV Land, Infermental VIII, Tokyo, JP
Group Show, Saxon-Lee Gallery, Los Angeles, USA
1987
CalArts: Skeptical Belief(s), University of Chicago, Chicago, USA
L.A. Hot and Cool:The Eighties, MIT List Visual Art Center, Cambridge, MA, USA. Catalogo
LA2DA, Museum of Contemporary Art, La Jolla, CA, USA. Catalogo
New California Video, A Survey of Open Channels: Open Channels III, Long Beach Museum of Art, Long Beach, CA, USA
Heterodoxy, Rosamund Felsen Gallery, Los Angeles, USA
1986
Social Distortions, Los Angeles Contemporary Exhibitions, Los Angeles, USA
Hang 12, Piezo Electric Gallery, Venice, CA, USA
1985
B & W, Los Angeles Institute of Contemporary Art, Los Angeles, USA
TV Generations, Los Angeles Contemporary Exhibitions, Los Angeles, USA. Catalogo
The Magic Show, a cura di Jeffrey Vallance, Atelier Gallery, University of Southern California, Santa Monica, USA
1984
The Floor Show, Los Angeles Contemporary Exhibitions, Los Angeles, USA
1976
Group Show, Rackam Gallery, Ann Arbor, MI, USA
Stampa
Jim Shaw
Bibliografia
2011
Taft, Catherine. ''Beroep: Dilettant, Interview met Jim Shaw'', Metropolis M, n. 3, giugno/luglio 2011, pp.34-41.
Return of the Repressed: Destroy all Monsters, catalogo della mostra, PRISM, Los Angeles, PictureBox, 2011.
2010
Tumlir, Jan. ''Jim Shaw: Left Behind'', Artforum, maggio 2010, p. 143.
AA.VV., . Skin Fruit. Selections from the Dakis Joannou Collection, catalogo della mostra, New Museum, New York, 2010.
Rive gauche / Rive droite, catalogo della mostra, sedi varie, Paris, JRP Ringier, 2010. Testi di Alexis Jakubowicz, Yves Aupetitallot, Marc Jancou.
Gallais, Jean-Marie. ''Jim Shaw'', Kaleidoscope, n. 07, estate 2010, p.73.
Chateigné Tytelman, Yann. ''Letter on the Deaf and Mute'', Kaleidoscope, n. 07, estate 2010, pp.76-81.
2008
Blasted Allegories-Works from the Ringier Collection, catalogo della mostra,. Zürich, Jrp Ringier, 2008.
''In Geneva No One Can Hear you Scream'' in. Geneva, Jrp Ringier, 2008.
''Artists'' in Amateurs, catalogo della mostra, CCA Institute of Contemporary Arts, San Francisco. San Francisco, Wattis, 2008, pp. 84-87.
2007
Jim Shaw: Distorted Faces & Portraits, 1978-2006, catalogo della mostra, Blondeau Fine Art Services, Zurigo, 2007.
Long Drawing 2007, catalogo della mostra, Galleria Massimo De Carlo, Milano. Milano, Galleria Massimo De Carlo, 2007.
2006
Satz, Aura. ''Jim Shaw'', Tema Celeste, n. 116, luglio-agosto 2006, p. 79.
Jim Shaw. Selected Dream Drawings, catalogo della mostra,Santa Monica, Patrick Painter Inc., 2006. Testi di Doug Harvey.
Danby, Charles. ''Back - Jim Shaw'', Frieze, n. 100, giugno-luglio-agosto 2006, p. 275.
''The Artists' Artists: Jim Shaw'', Artforum, dicembre 2006, p. 111.
Duncan, Michael . ''Opening Salvos in L.A.'', Art in America, novembre 2006, pp. 76-83.
Richer, Francesca e Matthew Rosenzweig. No. 1, 2006, p. 342.
''Superstars: von Warhol bis Madonna'' in Kunsthalle Wien & BA-CA Kunstforum, catalogo della mostra,Vienna, 2006, p. 123.
Barkley, Glenn, Macgregor Elizabeth Ann e Gerard Sutton. Multiplicity: Prints and Multiples from the Collection of the Museum of Contemporary Art and the University of Wollongong, catalogo della mostra, The Museum of Contemporary Art, SydneyMuseum of Contemporary Art Limited, 2006.
Fifth Interpretation of the Collection, catalogo della mostra,. Pachuca, La Colección Jumex, 2006, pp. 90-91.
Private View / Collection Pierre Huber 1980-2000, catalogo della mostra, RP/Ringier, Zurigo, 2006, pp. 203-206.
2005
Richer, Francesca e Matthew Rosenzweig. ''N°1 - First Works by 362 Artists'' in. New York, d.a.p., 2005.
French, Christopher. ''Il Nostro Grottesco'', Flash Art, n. 249, dicembre 2004-gennaio 2005, p. 66.
''Jim Shaw: The Inky Depths/The Woman in the Wilderness'', Time Out New York, 13-19 ottobre 2005.
Purcell, Greg. ''Unpopular Authorship: The Drawings of Jim Shaw'', NY Arts, gennaio-febbraio 2005, p. 62.
Hamilton, Elizabeth. The Inky Depths / The Woman in the Widerness, catalogo della mostra, MOCA, Los Angelesed. The Blake Byrne Collection, 2005, p. 87.
Kantor, Jordan. Drawing from the Modern: After the Endgames, catalogo della mostra, The Museum of Modern Art, New York, 2005, p. 122.
2004
Sossai, Maria Rosa. ''Great Expectations'', Flash Art, n. 244, febbraio-marzo 2004, p. 152.
Eleey, Peter. ''Fifth International SITE santa Fe Biennal'', Frieze, n. 86, ottobre 2004, p. 161.
''Howard Singerman on pop noir'', Artforum International, n. 2, ottobre 2004, p. 125.
''Ursula Blickle Stiftung'', Tema Celeste, n. 105, settembre-ottobre 2004, p. 119.
Dee Michell, Charles. ''Report From Santa Fe - Everything in Excess'', Art in America, novembe 2004, pp. 84-91.
Tumlir, Jan. ''Destroy All Monsters - Jan Tummlir on Motor City Madness'', ArtForum, ottobre 2004, pp. 85-86, 276-278.
Une Collection Pour Une Région - 1982 - 2002, catalogo della mostra, FRAC, Orlèans, 2004, p. 8 - 263.
2003
Church, Amanda. ''New York New York / Jim Shaw-Metro Pictures'', Flash Art International, n. 233, novembre-dicembre 2003, p. 54.
Harvey, Doug. ''Craked Abstraction: The Geometrical Designs of Alfred Jensen, the 'O-ist' Discoveries of Jim Shaw'', LA Weekly, 7-13 febbraio 2003.
Pagel, David. ''Eye-to-eye with Forgotten Codgers'', Los Angeles Times, 17 gennaio 2003, p. E39.
Levine, Carey. ''Jim Shaw at Metro Pictures and the Swiss Institute'', Art in America, marzo 2003, pp. 126-127.
Magnuson, Ann. ''L.A. Woman: new World 'O' rder'', Paper, febbraio 2003, p. 53.
Tavee, Art. ''Between Rock and a Hard Place'', Contemporary, n. 55, pp. 96-99 2003.
Falconer, Morgan. ''Interview with Jim Shaw'', Contemporary, n. 55, 2003, pp. 78-83.
Church, Amanda. ''Jim Shaw, Metro Pictures'', Flash Art, novembre-dicembre 2003, p. 54.
Pollack, Barbara. ''The New Visionaries'', ARTnews, dicembre 2003, pp. 92-97.
Jim Shaw. O, catalogo della mostra, Le Magasin - Centre National d’Art Contemporain, Grenoble. Zurigo, JRP Ringier, 2003.
2002
Saltz, Jerry. ''A World Apart'', The Village Voice, maggio 2002, pp. 8-14.
Stern, Steven. ''Sweet Charity'', Frieze, giugno-luglio-agosto 2002, pp. 94-97.
Douglas, Sarah. ''Jim Shaw: the Goodman Image File and Study'', The Art Newspaper, settembre 2002, p. 2.
Burnett, Craig. ''Praise the Big 'O''', Modern Painters, autunno 2002, p. 153.
Stern, Steven. ''Shaggy Dogma Stories'', Time Out New York, 3-10 ottobre 2002, p. 58.
Wilson, Michael. ''New York Critics' Picks- Jim Shaw'', Artforum.com, settembre 2002.
Kimmelman, Michael. ''Jim Shaw'', The New York Times, 4 ottobre 2002, p. E33.
Williams, Gregory. ''Jim Shaw- Swiss Institute'', Artforum, dicembre 2002, pp. 137-138.
Leith, Anne. ''Jim Shaw'', Modern Painters, inverno 2002, pp. 148-150.
Brown, Neal. ''A Noble Art/ Jim Shaw'', Frieze, marzo 2002, pp. 104-105.
Biennale of Sydney, catalogo della mostra, Museum of Contemporary Art, Sydney, 2002, pp. 189-192.
''P.S.1 Contemporary Art Center'' in Video Acts, catalogo della mostra,Long Island City, New York, 2002, pp. 189-91, 197.
2001
Dannatt, Adrian. ''It Is All Just A Dream'', The Art Newspaper, n. 113, aprile 2001, p. 77.
Klein, Mason. ''Jim Shaw- Metro Pictures'', Artforum, estate 2001, p. 184.
The Artist's World, catalogo della mostra, CCAC Institute, San Francisco, CA, 2001.
Oursler, Tony. ''Jim Shaw'', ITS, n. 3, novembre-dicembre 2001, pp. 54-63.
Painting at the Edge of the World, catalogo della mostra, Walker Art Center, Minneapolis, 2001, pp. 149-150.
2000
Kushner, Rachel. ''Jim Shaw talks about his dream project'', Artforum International, n. 3, novembre 2000, p. 129.
Clarinval, France. ''Tout se joue en trois jours'', Nightlife.lu, 26 maggio 2000, pp. 34-37.
Trembly, Nicolas. ''Jim Shaw: MAMCO'', Flash Art, estate 2000, pp. 120-121.
Behrman, Pryle. ''Jim Shaw: 'Everything Must Go!'', Contemporary Visual Arts, giugno-luglio-agosto 2000, p. 43.
Minh-ha, Trinh T. ''L'innécriture: Inescriptura'', El Poder de Narrar, settembre 2000, pp. 192, 256, 260, 282-5.
Viladas, Pilar. ''Barn Again'', The New York Times Magazine, 27 agosto 2000, pp. 50-51.
Claydon, Paul. ''Jim Shaw: Thrift Store Paintings'', ICA, n. 23, autunno-inverno 2000, p. 37.
Falconer, Morgan. ''Priceless'', Art Review, n. 52, ottobre 2000, pp. 44-45.
''Jim, the Obscure'', Wrong, n. 2, 2000, pp. 2-13.
Kushner, Rachel. ''A Thousand Words: Jim Shaw Talks About His Dream Project'', Artforum, novembre 2000, pp. 128-129.
Farquharson, Alex. ''Inside Art'', Art Monthly, dicembre-gennaio 2000, p. 242.
Duncan, Michael. ''Shaw's Carnival of the Mind'', Art in America, dicembre 2000, pp. 86-91, 134.
1999
Angus, Denis. ''Jim Shaw: Respect Pop Culture'', Omnibus, gennaio 1999, pp. 12-13.
''Time After Time' at Tsingou'', Flash Art, gennaio-febbraio 1999, p. 39.
Rugoff, Ralph. ''Rules of the Game'', Frieze, gennaio-febbraio 1999, pp. 46-49.
Johnson, Ken. ''Art In Review: Jim Shaw'', The New York Times, 19 marzo 1999, pp. E 39.
Harvey, Doug , Noelle Roussel e Fabrice Stroun. Everything Must Go: Jim Shaw 1974-1999, catalogo della mostra, Casino Luxembourg, Lussemburgo, 1999.
1998
Harvey, Doug. ''Jim Shaw at Rosamund Felsen'', Art in America, maggio 1998, p. 134.
Rian, Jeff. ''Sunshine & Noir' and 'LA Times'', Flash Art, ottobre 1998, pp. 61-67.
Drolet, Owen. ''Pop Surrealism'', Flash Art, estate 1998, p. 61.
Mc Cormick, Carlo. ''Surrealism Goes Pop'', Juxtapoz, inverno 1998.
Zimmer, William. ''Recipe for a Good Time: Surrealism and Pop Culture'', The New York Times, 2 agosto 1998.
Steven Madoff, Steven. ''Pop Surrealism'', Artforum, ottobre 1998, p. 120.
Shaw, Jim. ''Jim Shaw's Top Ten'', Artforum, n. 3, novembre 1998, p. 44.
Kimmelman, Michael. ''In Connecticut Where Caravaggio First Landed'', The New York Times, 17 luglio 1998.
Lombardi, Dominick. ''An Art Lover's Candy Store at the Aldrich Museum'', The Record Review, 26 luglio 1998.
Dietsch, Scott. ''The New Surrealism Gets Real'', The Villager New York, 4 novembre 1998, p. 1.
Knight, Christopher. ''Lots of 'Sunshine,' Little Light'', Los Angeles Times (Arts section), 27 luglio 1998, pp. 4-5/85.
Price, Dick . The New Neurotic Realism, catalogo della mostra, The Saatchi Gallery, Londra, 1998.
Klein, Richard , Dominique Nahas e Ingrid Schaffner. Pop Surrealism, catalogo della mostra, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1998.
Burrows, David e Mark Harris. Educating Barbie, catalogo della mostra, Trans Hudson Gallery, New York, 1998.
1997
Diehl, Carroll. ''Jim Shaw'', ARTnews, gennaio 1997, p. 118.
Van de Walle, Mark. ''Jim Shaw: Metro Pictures'', Artforum, marzo 1997, pp. 90-1.
Reisman, David. ''The Sleep of Reason'', Texte zur Kunst, marzo 1997, pp. 117-119.
''Special Feature: Mike Kelley & the LA Art Scene'', BT, febbraio 1997, pp. 16-80.
''Performance Anxiety'', View - (Museum of Contemporary Art San Diego - newsletter), ottobre-dicembre 1997, p. 2.
Nilsson, Hakan. ''Sunshine and Noir'', Flash Art, novembre-dicembre 1997, p. 74.
Larsen, Lars-Bang. ''Sunshine & Noir: Art in LA 1960-1997'', Frieze, settembre-ottobre 1997, pp. 93-94.
Kozloff, Max . ''Sunshine & Noir: Art in LA 1960-1997'', Artforum, dicembre 1997, pp. 110-111.
Lars-Bang, Larsen. Jim Shaw - Display: International Exhibition of Painting, catalogo della mostra, Charlottenborg Exhibition Hall, Copenhagen, 1997, pp. 62-63.
Sunshine & Noir, catalogo della mostra, Louisiana Museum of Modern Art, Humlebaek, 1997.
1996
''Dreams'', Grand Street, n. 4, 1996, pp. 123-133.
''Art'', New York Magazine, 9 settembre 1996, p. 102.
Pedersen, Victoria. ''Gallery Go 'Round'', Paper, ottobre 1996, p. 130.
Killam, Brad. ''L.A. Stories'', New Art Examiner, n. 24, ottobre 1996, p. 49.
Saltz, Jerry. ''Jim Shaw, 'The Sleep of Reason''', Time Out New York, October 17-24 1996.
''Jim Shaw'', New Yorker, 7 ottobre 1996, p. 24.
Greene, David A.. ''California Dreaming'', The Village Voice, 1996, p. 95.
Preston, Janet. ''New York Letter Bomb'', Coagula Art Journal, n. 24, 1996, p. 18.
Ken, Johnson. ''California Dreamer'', Art in America, dicembre 1996, p. 89.
Koether, Jutta. ''Unterhalb der Metaebenen'', Spex, n. 12, dicembre 1996, p. 52.
McKenna, Kristine. ''The Night Watchman'', Los Angeles Times Calendar, 8 gennaio 1996, p. 7, 84.
Tumlir, Jan. ''Jim Shaw at Rosamund Felsen and Steven Hurd at Dan Bernier,'', Artweek, n. 24, marzo 1996, p. 37.
Muchnic, Suzanne. ''Jim Shaw'', Art News, n. 94, aprile 1996, p. 154.
Urban, Hope. ''Jim Shaw'', Juxtapoz , estate 1996, pp. 26-30.
1995
Gilbert-Rolfe, Jeremy . Otroci Los Angeles a jini: mladi umelci z Los Angeles, catalogo della mostra, Weatherspoon Art Gallery, The University of North Carolina at Greensboro, 1995.
It's Only Rock and Roll, catalogo della mostra, Contemporary Arts Center, Cincinnati, 1995.
1994
Kohen, Helen L.. ''Art Review (Arrested Childhood)'', The Herald, 22 maggio 1994, p. 11.
1993
Kandel, Susan. ''Art Reviews: Jim Shaw at Linda Cathcart'', Los Angeles Times, 6 maggio 1993, p. F12.
Kandel, Susan. ''Art Reviews: Jim Shaw at Linda Cathcart'', Los Angeles Times, 6 maggio 1993, p. F12.
Duncan, Michael. ''L.A.: The Dark Side'', Art in America, marzo 1993, pp. 41-43.
Heath, Chris. ''Artful Dodgers'', Details, novembre 1993, pp. 119-123, 175, 176.
Duncan, Michael. ''Jim Shaw at Linda Cathcart'', Art in America, dicembre 1993, p. 110.
Liebman, Lisa. ''Jim Shaw - Metro Pictures'', Artforum, gennaio 1993, p. 101.
Kutner, Janet. ''An artist with a thirst for Pop'', Dallas Morning News, 12 giugno 1993, pp. 1C-2C.
1992
Gardner, Colin. ''Helter Skelter at the Temporary Contemporary'', Artforum, aprile 1992, pp. 103-104.
Knight, Christopher. ''An Art of Darkness at MoCA'', Los Angeles Times, 28 gennaio 1992, pp. F1,4,5.
Nesbitt, Lois. ''Art's Bad Boys'', Elle, marzo 1992, pp. 91-93.
Rugoff, Ralph. ''Jim Shaw: Recycling the Subcultural Straightjacket'', Flash Art, marzo-aprile 1992, pp. 91-93.
Whitington, G. Luther. ''l.a.'s new look'', Art & Auction, gennaio 1992, pp. 83-85, 116.
Yood, James. ''Et in Arcadia Ego?'', New Art Examiner, n. 19, aprile 1992, pp. 24-26.
Ruby, Dan. ''SoHo 1991'', South Atlantic Quarterly, estate 1992, pp. 662-664.
Susie, Susie. ''Schlock Value'', Houston Press, novembre 1992, pp. 31-34.
Plagens, Peter. ''Welcome to Manson High'', Newsweek, 2 marzo 1992, pp. 65-66.
Gudis, Catherine. LA Art in the 1990s, catalogo della mostra, The Museum of Contemporary Art, Los AngelesHelter Skelter, 1992.
Saltz, Jerry . American Art of the 80's, catalogo della mostra, Museo d'Arte Moderna e Contemporanea di Trento, Trento, 1992.
1991
Aletti, Vince. ''Thrift Store Paintings'', The Village Voice Literary Supplement, febbraio 1991.
1991 Whitney Biennial, catalogo della mostra, Whitney Museum of American Art, New York, 1991, p. 58.
Kandel, Susan. ''New York in Review: Jim Shaw'', Arts Magazine, marzo 1991, pp. 106-107.
Shaw, Jim. ''Project for Artforum'', Artforum, marzo 1991, p. 81.
Heyler, Joanne. ''Jim Shaw: Nostalgia of Wow'', Flash Art, marzo-aprile 1991, p. 135.
Pagel, David. ''Jim Shaw at Linda Cathcart'', Art Issues, aprile-maggio 1991, p. 33.
Nesbitt, Lois S.. ''Books'', Arts, estate 1991, p. 106.
Walsh, Kelly. Interview, settembre 1991, p. 68.
Smith, Roberta. ''Outsider Art' Goes Beyond the Fringe'', The New York Times, 15 settembre 1991.
Homes, A.M. ''Jim Shaw at Feature'', Artforum, settembre 1991, p. 132.
Nesbitt, Lois E.. ''American Psycho'', Artscribe, n. 88, settembre 1991, pp. 44-47.
Cameron, Dan. ''Not-Quite-Art'', Art & Auction, novembre 1991, pp. 84-90.
Cameron, Dan. ''Not-Quite-Art'', Art & Auction, novembre 1991, pp. 84-90.
Johnson, Ken. ''Generational Saga'', Art in America, 1991, pp. 45-50.
Kandel, Susan. ''Teen Trauma'', Los Angeles Times, 28 novembre 1991, p. F5.
Kimmelman, Michael. ''At the Whitney , a Biennial That's Eager to Please'', The New York Times, 19 aprile 1991.
Knight, Christopher. ''Four Floors of Evolution'', Los Angeles Times, 28 aprile 1991, p. 3.
Larson, Kay. ''A Shock to the System'', New York Magazine, 20 aprile 1991, pp. 86-87.
Troncy, Eric. ''No Man's Time'', Flash Art, novembre-dicembre 1991, pp. 121-122.
D' Amato, Brian. ''Thrift Store Paintings: Jim Shaw Recruits the Salvation Army'', Flash Art, n. 161, novembre-dicembre 1991, p. 126.
Decter, Joshua. ''Jim Shaw'', Arts Magazine, dicembre 1991, p. 80.
Ramirez, Yasmin. ''Jim Shaw's “Thrift Store Paintings at Metro Pictures'', Art in America, dicembre 1991, p. 120.
1990
Helfand, Glen. ''Boy's Life'', SF Weekly, 14 novembre 1990, p. 11.
Knight, Christopher. ''Thrift Store Show: It's Priceless'', Los Angeles Times, 28 marzo 1990, pp. F1-F8.
Knight, Christopher. ''Shaw's Wildly Funny Narrative Saga'', Los Angeles Times, 7 dicembre 1990.
Saltz, Jerry. ''Lost in Translation: Jim Shaw's Frontispieces'', Arts Magazine, estate 1990.
Nyo, Paul Tin. ''Jim Shaw'', Artweek, 13 dicembre 1990.
Baker, Kenneth. ''Datebook Galleries'', San Francisco Chronicle, 8 dicembre 1990.
Rinder, Lawrence. ''Interview with Jim Shaw'', Matrix - University Art Museum, 1990.
Schjeldahl, Peter. ''Low Cal'', The Village Voice, 1990.
Bonett, David. ''My Mirage reflects new image'', San Francisco Examiner, 23 novembre 1990, p. C-2.
1989
Curtis, Cathy. ''Galleries'', Los Angeles Times, 29 dicembre 1989, pp. F24.
Hickey, Dave. ''Jim Shaw, Stopping the Image Wheel'', Visions, n. 4, 1989, pp. 6-9.
Gerstler, Amy. ''Jim Shaw'', Artforum , estate 1989, p. 151.
Knight, Christopher. ''Recycling Art from a Heap of History'', Los Angeles Herald Examiner, 31 marzo 1989, p. 4.
Weissman, Benjamin. ''Reviews: Jim Shaw at Saxon-Lee'', Art Issues, gennaio 1989, p. 23.
Clothier, Peter. ''The Next Wave'', Artnews, dicembre 1989, pp. 113-117.
